剧本中男女平等的经济案例:贝克德尔测试、女性对话和票房收入

IF 0.4 4区 艺术学 0 FILM, RADIO, TELEVISION Journal of Screenwriting Pub Date : 2023-07-06 DOI:10.1386/josc_00124_1
Jeremy K. Nguyen
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引用次数: 0

摘要

这篇文章探讨了一个问题,“女性在电影和电影中的代表性增加是否会带来更大的票房收入?”利用1960年至2018年间上映的2343部电影的数据集,我们估计了北美和“国际”票房收入的固定效应回归模型,使用了两个女性代表性指标:电影剧本中女性对话的百分比和Bechdel测试。我们考虑了其他变量:通货膨胀、电影预算、类型和电影运行时间。我们的研究结果表明,只包括两个女性角色之间的一次对话,北美国内市场的票房收入就会高出约23%,北美以外的票房收入会高出27%。并非所有的表现都是平等的:质量表现(与“数量”的表现相比)与票房有着更重要的关系。与人们常说的女性在电影中的代表性增加会导致经济回报降低的观点相反,我们的研究结果表明,增加女性在银幕上的形象会带来显著的经济效益。
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The economic case for equality in screenplays: The Bechdel test, female dialogue and box office revenue
This article examines the question, ‘Does increased representation of women in screenplays and film lead to greater box office revenue?’ Employing a data set of 2343 films released between 1960 and 2018, we estimate fixed-effects regression models on North American and ‘international’ box office revenue, using two indicators of female representation: the percentage of female dialogue in a film’s screenplay and the Bechdel test. We account for other variables: inflation, film budget, genre and film runtimes. Our results indicate that including just one conversation between two female characters is associated with approximately 23 per cent higher box office revenue in the North American domestic market and 27 per cent higher box office revenue outside of North America. Not all representation is created equal: quality representation (in contrast to a ‘quantity’ measure of representation) has a more significant relationship with the box office. Contrary to often-stated beliefs that increased representation of women in film results in lower economic returns, our findings indicate that there is a significant economic benefit to increasing female on-screen portrayals.
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来源期刊
CiteScore
0.80
自引率
0.00%
发文量
21
期刊介绍: The Journal of Screenwriting aims to explore the nature of writing for the moving image in the broadest sense, highlighting current academic thinking around scriptwriting whilst also reflecting on this with a truly international perspective and outlook. The journal will encourage the investigation of a broad range of possible methodologies and approaches to studying the scriptwriting form, in particular: the history of the form, contextual analysis, the process of writing for the moving image, the relationship of scriptwriting to the production process and how the form can be considered in terms of culture and society. The journal also aims to encourage research in the field of screenwriting and the linking of scriptwriting practice to academic theory, and to support and promote conferences and networking events on this subject.
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