在公共空间中超越二元性的思考:作为一组跨学科镜头的城市内部展开

IF 0.2 4区 艺术学 0 ARCHITECTURE Interiors-Design Architecture Culture Pub Date : 2018-09-02 DOI:10.1080/20419112.2019.1622235
Tine Poot, Els De Vos, M. Van Acker
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引用次数: 9

摘要

在2018年11月伦敦举行的城市内部室内教育会议上,安德鲁·斯通(Andrew Stone)承认,室内设计师在与城市互动方面的信心日益增强,这为该学科固有的跨学科性提供了天然渠道。在这一挑衅中,城市内部的概念占据了中心位置。打破了家庭和私人室内空间的限制,城市内部将内部的移动概念转移到城市环境中。这种广泛的理解有可能模糊室内和城市设计学科之间的界限,并培养超越公私或室内外固定二元性的创新思维。此外,本文将城市内部性视为一种空间状态,超越了对内部性的传统理解,即我们内心生活的主观感受。因此,我们构建了一套镜头,作为在城市环境中观察内部空间配置的方式:时间(短暂性-适应性),运动(空间中的身体),过渡(边界-渗透性)。以布鲁塞尔的拱廊作为测试场景,透镜框架通过对拱廊的物质文化研究收集的历史和分析数据提出不同的解读,并通过个人观察和地图分层对场地进行空间分析,提供了一种非确定性的分析方法。通过实施这些镜头所获得的知识将成为解决室内公共空间基本要素配置的设计原则的基础。
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Thinking beyond dualities in public space: the unfolding of urban interiority as a set of interdisciplinary lenses
In his reflection on the Inside the City interior educators conference (London, November, 2018), Andrew Stone acknowledged the growing confidence of interior designers in engaging with the city, which poses a natural conduit for the discipline’s inherent interdisciplinarity. Within this provocation, a central position is taken up by the concept of urban interiority. Breaking out of the confines of domestic and private interior space, urban interiority transposes the mobile notion of interiority into an urban context. This expansive understanding holds the potential to blur the boundaries between interior and urban design disciplines, and foster innovative thinking that goes beyond the fixed dualities of public-private or interior–exterior. Furthermore, this article approaches urban interiority as a spatial condition going beyond the classical understanding of interiority as the subjective feelings of our inner life. Hence, we construct a set of lenses as ways of seeing the spatial configurations of interiority in an urban setting: Time (Ephemerality-Adaptation), Movement (Bodies in Space-Accessibility), Transition (Boundary-Permeability). Using the arcades of Brussels as a test situation, the lenses framework offers a non-deterministic analyzing method by proposing different readings of the historical and analytical data collected through research on the material culture of the arcades, and spatial analysis of the sites through personal observations and cartographic layering. The knowledge gained through the implementation of these set of lenses will be a foundation for design principles which address the configuration of fundamental elements of interior public space.
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