{"title":"远程思考:在新冠疫情及其后的音乐世界","authors":"Michael Dessen","doi":"10.1080/17494060.2022.2078430","DOIUrl":null,"url":null,"abstract":"ABSTRACT The COVID-19 pandemic lockdown brought much attention to live music making via the internet, amplifying the previously marginal fields of livestream concertizing and networked music performance. Drawing connections among recent publications, artists’ creative strategies, and his own experiences, the author surveys questions about musical telepresence that arose in this process, including reflections on the nature of musical liveness in an increasingly digital industry, the creative potentials of networked music making, and the value of “thinking telematically” about cultural production and social change.","PeriodicalId":39826,"journal":{"name":"Jazz Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Thinking Telematically: Improvising Music Worlds Under COVID and Beyond\",\"authors\":\"Michael Dessen\",\"doi\":\"10.1080/17494060.2022.2078430\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT The COVID-19 pandemic lockdown brought much attention to live music making via the internet, amplifying the previously marginal fields of livestream concertizing and networked music performance. Drawing connections among recent publications, artists’ creative strategies, and his own experiences, the author surveys questions about musical telepresence that arose in this process, including reflections on the nature of musical liveness in an increasingly digital industry, the creative potentials of networked music making, and the value of “thinking telematically” about cultural production and social change.\",\"PeriodicalId\":39826,\"journal\":{\"name\":\"Jazz Perspectives\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jazz Perspectives\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17494060.2022.2078430\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jazz Perspectives","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17494060.2022.2078430","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Thinking Telematically: Improvising Music Worlds Under COVID and Beyond
ABSTRACT The COVID-19 pandemic lockdown brought much attention to live music making via the internet, amplifying the previously marginal fields of livestream concertizing and networked music performance. Drawing connections among recent publications, artists’ creative strategies, and his own experiences, the author surveys questions about musical telepresence that arose in this process, including reflections on the nature of musical liveness in an increasingly digital industry, the creative potentials of networked music making, and the value of “thinking telematically” about cultural production and social change.