违反歌词。克里斯蒂娜·佩里·罗西的诗歌与女权主义

IF 0.1 0 LANGUAGE & LINGUISTICS Philologica Canariensia Pub Date : 2023-05-31 DOI:10.20420/phil.can.2023.593
Zaradat Domínguez Galván
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引用次数: 0

摘要

本文在作家克里斯蒂娜·佩里·罗西的诗歌作品中探讨了女性和女权主义诗歌的越轨意志,她承认追求写作的道德意志来面对时代的不公正。最近,她获得了文化和体育部颁发的2021年塞万提斯奖,这是西班牙语文学中最重要的奖项,旨在表彰她整个文学生涯。本文的目的是验证克里斯蒂娜·佩里·罗西(Cristina Peri Rossi)在她的许多诗歌中,是如何在诗歌这个词的帮助下,结合一种针对普遍存在的男性主义和厌女症的话语策略的。罗西尼诗歌作品的很大一部分都是清晰的,也是一个面对男性中心主义经典的反抗空间,这种经典使女性写作变得不可能和无形。佩里·罗西的写作计划并非徒劳,它最初是作为对女性法图姆的一种超越而诞生的,它征服了发音的位置,发出了诗意的声音,并通过语言颠覆了被否定的写作。
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La transgresión de la letra. Poética y feminismo en Cristina Peri Rossi
This article investigates the transgressive will of female and feminist poetry in the poetic work of the writer Cristina Peri Rossi, who has recognized pursuing an ethical will of writing to face the injustices of her time. Recently, she has been awarded the Cervantes Prize 2021, the most important award in Spanish-language literature, granted by the Ministry of Culture and Sports, which is given to the recognition of an entire literary career. The objective of this essay has been to verify how in many of her verses Cristina Peri Rossi, aided by the word poetic, puts together a discursive strategy against the prevailing machismo and misogyny. A large part of the Rossinian poetic work is articulated as well as a space of resistance facing an androcentric canon that has made female writing impossible and invisible. Not in vain, Peri Rossi’s writing project was originally born as a transgression of the female fatum, conquering the place of enunciation, taking the poetic voice and subverting through language the writing that had been denied to her.
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来源期刊
Philologica Canariensia
Philologica Canariensia LANGUAGE & LINGUISTICS-
CiteScore
0.40
自引率
0.00%
发文量
18
审稿时长
25 weeks
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