《吟游诗人的退役:克洛伊·龚的反殖民寓教于乐》

IF 0.1 3区 艺术学 0 THEATER COMPARATIVE DRAMA Pub Date : 2023-06-01 DOI:10.1353/cdr.2023.a904531
Vanessa I. Corredera
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引用次数: 0

摘要

莎士比亚大都会内的选民目前准备将莎士比亚文本和他们对莎士比亚的研究传播到任何地方,并获得参与的利润,同时忽略了非大都市的知识,这些知识不仅可能与莎士比亚文本有争议,而且可能与他们目前接受文本的方式有争议,遗憾的是,尽管在教育领域,这是一种殖民习惯的呼应。60
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Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment
: The present readiness of constituencies within the Shakespeare metropolis to disseminate the Shakespeare text and their work on Shakespeare to any location and to harvest the attending profits, while at the same time eliding non-metropolitan knowledge that might intersect provocatively not only with the Shakespeare text but with current ways in which they receive that text, regrettably echoes, albeit in an educational domain, a colonial habit. 60
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来源期刊
COMPARATIVE DRAMA
COMPARATIVE DRAMA Arts and Humanities-Literature and Literary Theory
CiteScore
0.10
自引率
0.00%
发文量
23
期刊介绍: Comparative Drama (ISSN 0010-4078) is a scholarly journal devoted to studies international in spirit and interdisciplinary in scope; it is published quarterly (Spring, Summer, Fall, and Winter) at Western Michigan University
期刊最新文献
In Memoriam: Clifford O. Davidson: 1932–2024 "Simply Sitting in a Chair": Questioning Representational Practice and Dramatic Convention in Marguerite Duras's L'Amante anglaise and The Viaducts of Seine-et-Oise Rewriting Idolatry: Doctor Faustus and Romeo and Juliet Measuring Protagonism in Early Modern European Theatre: A Distant Reading of the Character of Sophonisba Theater, War, and Revolution in Eighteenth-Century France and Its Empire by Logan J. Connors (review)
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