{"title":"《吟游诗人的退役:克洛伊·龚的反殖民寓教于乐》","authors":"Vanessa I. Corredera","doi":"10.1353/cdr.2023.a904531","DOIUrl":null,"url":null,"abstract":": The present readiness of constituencies within the Shakespeare metropolis to disseminate the Shakespeare text and their work on Shakespeare to any location and to harvest the attending profits, while at the same time eliding non-metropolitan knowledge that might intersect provocatively not only with the Shakespeare text but with current ways in which they receive that text, regrettably echoes, albeit in an educational domain, a colonial habit. 60","PeriodicalId":39600,"journal":{"name":"COMPARATIVE DRAMA","volume":"57 1","pages":"29 - 56"},"PeriodicalIF":0.1000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment\",\"authors\":\"Vanessa I. Corredera\",\"doi\":\"10.1353/cdr.2023.a904531\",\"DOIUrl\":null,\"url\":null,\"abstract\":\": The present readiness of constituencies within the Shakespeare metropolis to disseminate the Shakespeare text and their work on Shakespeare to any location and to harvest the attending profits, while at the same time eliding non-metropolitan knowledge that might intersect provocatively not only with the Shakespeare text but with current ways in which they receive that text, regrettably echoes, albeit in an educational domain, a colonial habit. 60\",\"PeriodicalId\":39600,\"journal\":{\"name\":\"COMPARATIVE DRAMA\",\"volume\":\"57 1\",\"pages\":\"29 - 56\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"COMPARATIVE DRAMA\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cdr.2023.a904531\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"COMPARATIVE DRAMA","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cdr.2023.a904531","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Decommissioning the Bard: Chloe Gong's These Violent Delights as Anticolonial Edutainment
: The present readiness of constituencies within the Shakespeare metropolis to disseminate the Shakespeare text and their work on Shakespeare to any location and to harvest the attending profits, while at the same time eliding non-metropolitan knowledge that might intersect provocatively not only with the Shakespeare text but with current ways in which they receive that text, regrettably echoes, albeit in an educational domain, a colonial habit. 60
期刊介绍:
Comparative Drama (ISSN 0010-4078) is a scholarly journal devoted to studies international in spirit and interdisciplinary in scope; it is published quarterly (Spring, Summer, Fall, and Winter) at Western Michigan University