“相信这些话”:视觉、声音和黑人女性的认知方式

IF 0.5 Q3 CULTURAL STUDIES Open Cultural Studies Pub Date : 2022-01-01 DOI:10.1515/culture-2022-0147
B. Wallace
{"title":"“相信这些话”:视觉、声音和黑人女性的认知方式","authors":"B. Wallace","doi":"10.1515/culture-2022-0147","DOIUrl":null,"url":null,"abstract":"Abstract Under the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, and knowledge(s). In doing this work, Solange makes visible how said voices, visions, and knowledge(s) are not only meaningful but also transformative. “Trust in these words” opens by establishing Solange’s work as progressive feminist visions. It then moves into an analysis of the role of vision and voice in crafting new ways of being and becoming as represented in the epistolary essay, “A Letter to My Teenage Self” and the album A Seat at the Table. The study closes by reflecting on how Solange’s work can be seen as Black feminist epistemologies that allow us to amplify Black women’s humanity.","PeriodicalId":41385,"journal":{"name":"Open Cultural Studies","volume":null,"pages":null},"PeriodicalIF":0.5000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing\",\"authors\":\"B. Wallace\",\"doi\":\"10.1515/culture-2022-0147\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Under the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, and knowledge(s). In doing this work, Solange makes visible how said voices, visions, and knowledge(s) are not only meaningful but also transformative. “Trust in these words” opens by establishing Solange’s work as progressive feminist visions. It then moves into an analysis of the role of vision and voice in crafting new ways of being and becoming as represented in the epistolary essay, “A Letter to My Teenage Self” and the album A Seat at the Table. The study closes by reflecting on how Solange’s work can be seen as Black feminist epistemologies that allow us to amplify Black women’s humanity.\",\"PeriodicalId\":41385,\"journal\":{\"name\":\"Open Cultural Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Open Cultural Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1515/culture-2022-0147\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Cultural Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1515/culture-2022-0147","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

在布兰妮·库珀(Brittney Cooper)所说的“进步女权主义愿景”的保护下,本文将索兰吉2017年的文章(《给我青少年的一封信》)和2016年的专辑(《桌子上的座位》)作为黑人女权主义议程的一部分,以解放和鼓励黑人女性确认她们的声音、愿景和知识。在这项工作中,索兰吉让人们看到,这些声音、愿景和知识不仅有意义,而且具有变革性。“相信这些话”一开始就把索兰吉的作品确立为进步的女权主义愿景。接着,书中分析了视觉和声音在塑造新的存在方式和成长过程中所扮演的角色,这体现在书信体散文《给少年自我的一封信》和专辑《餐桌上的一个座位》中。该研究以反思索兰吉的作品如何被视为黑人女权主义认识论来结束,这些认识论使我们能够放大黑人女性的人性。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
“Trust in These Words”: Vision, Voice, and Black Women’s Ways of Knowing
Abstract Under the umbrella of what Brittney Cooper calls “progressive feminist visions,” this article reads Solange’s 2017 essay (“A Letter to My Teenage Self”) and her 2016 album (A Seat at the Table) as part of a Black feminist agenda to unfetter and embolden Black women to affirm their voices, visions, and knowledge(s). In doing this work, Solange makes visible how said voices, visions, and knowledge(s) are not only meaningful but also transformative. “Trust in these words” opens by establishing Solange’s work as progressive feminist visions. It then moves into an analysis of the role of vision and voice in crafting new ways of being and becoming as represented in the epistolary essay, “A Letter to My Teenage Self” and the album A Seat at the Table. The study closes by reflecting on how Solange’s work can be seen as Black feminist epistemologies that allow us to amplify Black women’s humanity.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Open Cultural Studies
Open Cultural Studies CULTURAL STUDIES-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
15 weeks
期刊最新文献
Erratum to “‘Thrice the brindled cat hath mew’d’ – The Three Trials of William Hone” Data that Should Not Have Been Given: Noise and Immunity in James Newitt’s HAVEN Tracing Exilience Through Literature and Translation: A Portuguese Gargantua in Paris (1848) Montana as Place of (Un)Belonging: Landscape, Identity, and the American West in Bella Vista (2014) A Syphilis-Giving God? On the Interpretation of the Philistine’s Scourge
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1