网上钢琴演奏录音的注释与分析

IF 1.1 4区 工程技术 Q3 ACOUSTICS Journal of the Audio Engineering Society Pub Date : 2022-12-12 DOI:10.17743/jaes.2022.0057
Lawrence Fyfe, D. Bedoya, E. Chew
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引用次数: 0

摘要

缺乏音乐表现力的注释数据阻碍了对演奏音乐的认识和理解。为了实现对演奏音乐的注释和探索的大规模收集,作者创建了一个由CosmoNote支持的工作流,这是一个基于网络的公民科学工具,用于注释由表演者创建的音乐结构,并在富有表现力的钢琴表演中由听众体验。为了使用CosmoNote进行注释任务,注释者可以收听录制的表演并查看同步的音乐可视化层,包括音频波形,录制的音符,提取的音频特征(如响度和速度)以及和声张力等评分特征。注释者有能力放大到表演的特定部分,看到视觉效果,听那个部分的音频。演奏音乐结构的注释是通过使用不同强度、区域、注释和音符组的边界来完成的。通过分析用CosmoNote收集的注释,表演决策将能够建模和分析,以帮助理解音乐表演中的表达选择,并发现表演音乐结构的词汇。
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Annotation and Analysis of Recorded Piano Performances on the Web
Advancing knowledge and understanding about performed music is hampered by a lack of annotation data for music expressivity. To enable large-scale collection of annotations and explorations of performed music, the authors have created a workflow that is enabled by CosmoNote, a Web-based citizen science tool for annotating musical structures created by the performer and experienced by the listener during expressive piano performances. To enable annotation tasks with CosmoNote, annotators can listen to the recorded performances and view synchronized music visualization layers including the audio waveform, recorded notes, extracted audio features such as loudness and tempo, and score features such as harmonic tension. Annotators have the ability to zoom into specific parts of a performance and see visuals and listen to the audio from just that part. The annotation of performed musical structures is done by using boundaries of varying strengths, regions, comments, and note groups. By analyzing the annotations collected with CosmoNote, performance decisions will be able to be modeled and analyzed in order to aid in the understanding of expressive choices in musical performances and discover the vocabulary of performed musical structures.
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来源期刊
Journal of the Audio Engineering Society
Journal of the Audio Engineering Society 工程技术-工程:综合
CiteScore
3.50
自引率
14.30%
发文量
53
审稿时长
1 months
期刊介绍: The Journal of the Audio Engineering Society — the official publication of the AES — is the only peer-reviewed journal devoted exclusively to audio technology. Published 10 times each year, it is available to all AES members and subscribers. The Journal contains state-of-the-art technical papers and engineering reports; feature articles covering timely topics; pre and post reports of AES conventions and other society activities; news from AES sections around the world; Standards and Education Committee work; membership news, patents, new products, and newsworthy developments in the field of audio.
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