{"title":"亲密母亲:诗意母亲的怀孕。论维内特·德·罗卡诗歌作品中母性主体性建构的政治方面","authors":"Julissa Fernández Villagra","doi":"10.4067/s0719-51762021000100336","DOIUrl":null,"url":null,"abstract":"This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.","PeriodicalId":36445,"journal":{"name":"Nueva Revista del Pacifico","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MADRE ÍNTIMA: GESTACIÓN DE LA MADRE POÉTICA. ASPECTOS POLÍTICOS EN LA CONSTRUCCIÓN DE UNA SUBJETIVIDAD MATERNA EN LAS OBRAS POÉTICAS CANTORAL Y ONIROMANCIA DE WINÉTT DE ROKHA\",\"authors\":\"Julissa Fernández Villagra\",\"doi\":\"10.4067/s0719-51762021000100336\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.\",\"PeriodicalId\":36445,\"journal\":{\"name\":\"Nueva Revista del Pacifico\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Nueva Revista del Pacifico\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4067/s0719-51762021000100336\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Nueva Revista del Pacifico","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4067/s0719-51762021000100336","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文提出,winsamtt de Rokha的《cantora》(1936)和《Oniromancia》(1943)中对母性的诗意表现具有政治特征,因为它是从母性主体性中阐述出来的,而母性主体性与父权化的母性角色的文化要求并不一致。这将通过命题阅读,包括从女权主义批评,性别和文学理论,以及上下文,社会文化和政治方面的理论类别证明。
MADRE ÍNTIMA: GESTACIÓN DE LA MADRE POÉTICA. ASPECTOS POLÍTICOS EN LA CONSTRUCCIÓN DE UNA SUBJETIVIDAD MATERNA EN LAS OBRAS POÉTICAS CANTORAL Y ONIROMANCIA DE WINÉTT DE ROKHA
This article proposes that the poetic representation of motherhood identified in Winétt de Rokha's Cantoral (1936) and Oniromancia (1943) has a political character as it is enunciated from a maternal subjectivity that is not aligned with patriarchalising cultural imperatives of the maternal role. This will be demonstrated through a propositional reading that includes theoretical categories from feminist criticism, gender and literary theory, as well as contextual, socio-cultural and political aspects.