死为英雄或活得足够长,看到自己成为一个传统的美国家庭情景喜剧:筋疲力尽的模仿和33年的辛普森一家

IF 0.1 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY CANADIAN REVIEW OF AMERICAN STUDIES Pub Date : 2022-12-30 DOI:10.3138/cras-2022-012
B. Anderson
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引用次数: 0

摘要

本文通过对约翰·巴特的“文本枯竭”的重新语境化,探讨了文本冲击在现代大众文化领域失败的原因。以流行的美国电视连续剧《辛普森一家》为例,作者试图通过使用互文性和文本耗尽来了解导致收视率、接待和娱乐下降的原因,从而追踪这部播出时间最长的情景喜剧的成功或最近的失败。本文提到了《辛普森一家》的双重存在:首先是一部受欢迎的电视节目,其次是一部拥有独立身份和粉丝基础的在线九头蛇。
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Die a Hero or Live Long Enough to See Yourself Become a Traditional American Family Sitcom: Exhausting Parody and Thirty-Three Years of The Simpsons
Through the recontextualization of John Barth’s “textual exhaustion,” this paper explores the cause of unsuccessful textual impact in the modern popular culture sphere. Using the popular American television series The Simpsons as a case study, the author attempts to track the longest-running sitcom’s success or recent lack thereof through the use of intertextuality and textual exhaustion to understand what has caused a decline in ratings, receptions, and recreations. This paper brings reference to The Simpsons’ dual existence: first as a popular television show and second as an online hydra with a separate identity and fan base from the show itself.
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来源期刊
CANADIAN REVIEW OF AMERICAN STUDIES
CANADIAN REVIEW OF AMERICAN STUDIES HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.20
自引率
0.00%
发文量
26
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