托马斯·金的绿草、流水中的跨文化空间

Sanja Ignjatović, Natalija Stevanović
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摘要

本文运用托马斯·金1994年的小说《绿草,流水》来考察两种文化在加拿大的接触;土著人民的文化和白人定居者的文化。本文以后殖民研究为框架,以斯蒂芬·斯莱蒙、爱德华·赛义德、霍米·巴巴、加亚特里·查克拉沃蒂·斯皮瓦克等人的作品为依托,分析托马斯·金在小说中创造的跨文化空间。小说中的四个神话故事为分析这两个文化、社会和政治空间之间的联系提供了丰富的基础。我们希望本文的研究能够解释跨文化的本质,并用Bhabha(1994,25)的话来说,提供一个文本的“混合空间”。
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THE SPACE OF TRANSCULTURATION IN THOMAS KING’S GREEN GRASS, RUNNING WATER
This paper uses Thomas King’s novel Green Grass, Running Water (1994) to examine the contact between two cultures in Canada; the culture of the Indigenous people and the culture of the white settlers. Taking postcolonial studies as its framework, this paper relies on works written by critics such as Stephen Slemon, Edward Said, Homi Bhabha, Gayatri Chakravorty Spivak, and others, in its analysis of the transcultural space which Thomas King creates in his novel. The four mythical stories in the novel offer a fruitful ground upon which contact between the two cultural, social and political spaces can be analyzed. We hope that the research conducted in this paper can serve as an explanation of the nature of transculturation, and in the words of Bhabha (1994, 25), offer a textual “space of hybridity”.
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