Along with international research in the diverse field of genre analysis of academic discourse, there has been a steady increase in the number of studies of Serbian academic texts and comparative studies between Serbian and other languages. However, in the variety of researched academic genres, calls for papers (CFPs) have received comparatively little attention. In this study, the author compares the schematic structure of a sample of 16 Serbian and 16 English calls for papers of international conferences in humanities and social sciences in order to analyze differences in the production of rhetorical moves according to Swales’ (1990) CARS model and Yang’s (2013; 2015) models of rhetorical moves in CFPs. The results of qualitative and quantitative analyses show that Serbian CFPs in humanities and social sciences do contain a set of rhetorical moves which differs from the English calls in the ordering of the opening steps, the contents of the info-promotional Move 3 and the concluding moves, as English calls offered more follow-up websites and Serbian authors opted for a cordial greeting. The author concludes that the results reveal different practices in the two languages that may be culturally determined.
{"title":"RHETORICAL STRUCTURE OF SERBIAN AND ENGLISH CALLS FOR PAPERS: THE CASE OF HUMANITIES AND SOCIAL SCIENCES","authors":"A. Pejčić","doi":"10.22190/full220329005p","DOIUrl":"https://doi.org/10.22190/full220329005p","url":null,"abstract":"Along with international research in the diverse field of genre analysis of academic discourse, there has been a steady increase in the number of studies of Serbian academic texts and comparative studies between Serbian and other languages. However, in the variety of researched academic genres, calls for papers (CFPs) have received comparatively little attention. In this study, the author compares the schematic structure of a sample of 16 Serbian and 16 English calls for papers of international conferences in humanities and social sciences in order to analyze differences in the production of rhetorical moves according to Swales’ (1990) CARS model and Yang’s (2013; 2015) models of rhetorical moves in CFPs. The results of qualitative and quantitative analyses show that Serbian CFPs in humanities and social sciences do contain a set of rhetorical moves which differs from the English calls in the ordering of the opening steps, the contents of the info-promotional Move 3 and the concluding moves, as English calls offered more follow-up websites and Serbian authors opted for a cordial greeting. The author concludes that the results reveal different practices in the two languages that may be culturally determined.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82925385","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Canada’s colonial past may be arguably described as the process of forcibly disconnecting Indigenous peoples from their land, disintegrating their traditional ways of life, and destroying their system of values over an extensive period of time, before confining these communities to reserves. The detrimental consequences of physical segregation enforced through the Residential School System and life on the reserves are seen to this day through the fact that most Indigenous peoples were left disconnected from their traditional culture and economically impoverished in modern-day society. One of the ways to get an accurate insight into this methodical disempowerment process would be to experience it from the Indigenous point of view by reading their literature. Thus, this paper aims at analyzing the works of Beth Brant (“A Long Story”), Emma Lee Warrior (“Compatriots”), and Emily Pauline Johnson (“A Red Girl’s Reasoning”) in the postcolonial framework in order to expose instances of both spiritual and physical discrimination as well as economic marginalization imposed on Indigenous characters in these stories.
{"title":"A LONG STORY OF OPPRESSION OF INDIGENOUS COMMUNITIES","authors":"A. Petrović","doi":"10.22190/full221124007p","DOIUrl":"https://doi.org/10.22190/full221124007p","url":null,"abstract":"Canada’s colonial past may be arguably described as the process of forcibly disconnecting Indigenous peoples from their land, disintegrating their traditional ways of life, and destroying their system of values over an extensive period of time, before confining these communities to reserves. The detrimental consequences of physical segregation enforced through the Residential School System and life on the reserves are seen to this day through the fact that most Indigenous peoples were left disconnected from their traditional culture and economically impoverished in modern-day society. One of the ways to get an accurate insight into this methodical disempowerment process would be to experience it from the Indigenous point of view by reading their literature. Thus, this paper aims at analyzing the works of Beth Brant (“A Long Story”), Emma Lee Warrior (“Compatriots”), and Emily Pauline Johnson (“A Red Girl’s Reasoning”) in the postcolonial framework in order to expose instances of both spiritual and physical discrimination as well as economic marginalization imposed on Indigenous characters in these stories.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"2 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84123917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper looks into the literary forms of expressing philosophemes. Starting from the difference between scientific and literary forms of presenting philosophical ideas, we focus on discussing various literary forms that are present in philosophy. Philosophical works of poetry, prose, and drama are differentiated and considered, beginning with antiquity up to contemporary philosophy. Within this topic, we analyse the fundamental thematic orientation of representatives of the Enlightenment and existentialist philosophy, as well as the relationship between form and content in their works. The objective of this paper is to emphasize and expound on the thesis about the close correlation between literary forms and certain philosophical content, especially the correlation between literature and the philosophy of existentialism. The conclusion reached in the end is that literary works can be interpreted philosophically, but above all, that philosophical texts can be shaped in a literary fashion. Furthermore, it transpires that, in one historical period, philosophy adopts some literary forms, and in another period, it borrows certain forms from literature.Key words: philosophy, literature, novel, essay, dialogue, poem.
{"title":"PHILOSOPHY IN LITERARY FORMS","authors":"B. Radovanovic","doi":"10.22190/full220905006r","DOIUrl":"https://doi.org/10.22190/full220905006r","url":null,"abstract":"This paper looks into the literary forms of expressing philosophemes. Starting from the difference between scientific and literary forms of presenting philosophical ideas, we focus on discussing various literary forms that are present in philosophy. Philosophical works of poetry, prose, and drama are differentiated and considered, beginning with antiquity up to contemporary philosophy. Within this topic, we analyse the fundamental thematic orientation of representatives of the Enlightenment and existentialist philosophy, as well as the relationship between form and content in their works. The objective of this paper is to emphasize and expound on the thesis about the close correlation between literary forms and certain philosophical content, especially the correlation between literature and the philosophy of existentialism. The conclusion reached in the end is that literary works can be interpreted philosophically, but above all, that philosophical texts can be shaped in a literary fashion. Furthermore, it transpires that, in one historical period, philosophy adopts some literary forms, and in another period, it borrows certain forms from literature.Key words: philosophy, literature, novel, essay, dialogue, poem. ","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83866530","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Persian compound words, which are classified into two categories as primary and secondary compounds (Shaghaghi, 2008), are typically examined in the Construction Morphology proposed by Booij (2010; 2016; 2018). Within the framework of the theory, this study has attempted to explore the constructional schemas of the Persian compound words made of the present stem æfkæn (cast). To this end, 60 compound words have been collected from numerous sources such as Persian linguistic corpora, Persian grammar books, Persian monolingual dictionaries as well as some Persian reliable websites. Comparing the structure of the compounds made by it, taking the meaning of each compound into account and drawing the constructional schemas, we indicate that these compounds are given eight different semantic categories. Additionally, the constructional schema revealed that the semantic interpretation of these compounds may be allocated a continuum with the most semantically transparent compounds and the metaphorical or idiomatic meaning. Indeed, through the theory of Construction Morphology, the semantic distinctions of the compounds made of æfkæn (cast) could be well specified.
{"title":"EXPLORING THE SEMANTIC ASPECTS OF PERSIAN COMPOUNDS MADE BY ᴂfkᴂn (CAST): A CONSTRUCTION MORPHOLOGY APPROACH","authors":"Somayyeh Hannan, Z. Imani","doi":"10.22190/full211109002h","DOIUrl":"https://doi.org/10.22190/full211109002h","url":null,"abstract":"Persian compound words, which are classified into two categories as primary and secondary compounds (Shaghaghi, 2008), are typically examined in the Construction Morphology proposed by Booij (2010; 2016; 2018). Within the framework of the theory, this study has attempted to explore the constructional schemas of the Persian compound words made of the present stem æfkæn (cast). To this end, 60 compound words have been collected from numerous sources such as Persian linguistic corpora, Persian grammar books, Persian monolingual dictionaries as well as some Persian reliable websites. Comparing the structure of the compounds made by it, taking the meaning of each compound into account and drawing the constructional schemas, we indicate that these compounds are given eight different semantic categories. Additionally, the constructional schema revealed that the semantic interpretation of these compounds may be allocated a continuum with the most semantically transparent compounds and the metaphorical or idiomatic meaning. Indeed, through the theory of Construction Morphology, the semantic distinctions of the compounds made of æfkæn (cast) could be well specified.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"14 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74019840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper approaches Virginia Woolf's To the Lighthouse by viewing it as an example of a changed representation of nature which characterizes Modernist fiction in general. This representation is in stark contrast to the Romantic experience and the notion of the poet's communion with the natural world as one of the essential Romantic tropes. The general sentiment which the Modernist authors express in their works is that nature has lost a great deal of its healing potential due to the industrial developments of the modern era, and the devastation brought about by the First World War. This motif is especially stressed in the middle section of Woolf's novel, titled "Time Passes". Wolf's text conveys an experience of the natural world which is no longer empathetic, but marginalizing and diminishing individual human agency. Such representation implies that nature can no longer console the human spirit, or compensate for the dehumanizing practices of late industrial capitalism. This is why Woolf's vision finally turns to art itself, as the only realm where such compensation may still be found. In analysing these motifs, the paper relies on Randall Stevenson's studies Modernist Fiction (1992) and Literature and the Great War (2013).
{"title":"\"SOMETHING OUT OF HARMONY\": REPRESENTATION OF NATURE IN TO THE LIGHTHOUSE","authors":"Nataša Tučev","doi":"10.22190/full220427003t","DOIUrl":"https://doi.org/10.22190/full220427003t","url":null,"abstract":"The paper approaches Virginia Woolf's To the Lighthouse by viewing it as an example of a changed representation of nature which characterizes Modernist fiction in general. This representation is in stark contrast to the Romantic experience and the notion of the poet's communion with the natural world as one of the essential Romantic tropes. The general sentiment which the Modernist authors express in their works is that nature has lost a great deal of its healing potential due to the industrial developments of the modern era, and the devastation brought about by the First World War. This motif is especially stressed in the middle section of Woolf's novel, titled \"Time Passes\". Wolf's text conveys an experience of the natural world which is no longer empathetic, but marginalizing and diminishing individual human agency. Such representation implies that nature can no longer console the human spirit, or compensate for the dehumanizing practices of late industrial capitalism. This is why Woolf's vision finally turns to art itself, as the only realm where such compensation may still be found. In analysing these motifs, the paper relies on Randall Stevenson's studies Modernist Fiction (1992) and Literature and the Great War (2013).","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"40 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86264371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Media is a useful tool to convey various types of messages. Within the past years, broadcasting media has covered a wide range of different communication methods such as television, radio, newspapers, and magazines. The article's central hypothesis is that movies, TV, and video games quotes, as the subcategory of broadcasting, convey messages about environmental issues. It seems that ecological discourse analysis can be useful, as it focuses on texts about the environment. In a diachronic approach, the present article aims to explore the environmental issues in movies, TV, and video games quotes; in this regard, we analyzed ecological discourse and solutions proposed by IMDb quotes. The data was collected from the IMDb database using Keyword in Context (KWIC) over 1990-2020. The findings indicated that KWICs such as global warming (38%) and endangered species (19.18%) had the highest frequencies. On the other hand, only 0.67% of the raw numbers of quotes belonged to environmental issues, which indicated that IMDb quotes implicitly conveyed the message regarding ecological matters. Furthermore, the studied IMDb mostly explained the consequences and provided solutions to environmental issues. Therefore, the frequency of informing people about environmental negligence was much lower than expected.
{"title":"DIACHRONIC ECOLOGICAL DISCOURSE ANALYSIS OF IMDb","authors":"Mandana Kolahdouz Mohammadi","doi":"10.22190/full210314001k","DOIUrl":"https://doi.org/10.22190/full210314001k","url":null,"abstract":"Media is a useful tool to convey various types of messages. Within the past years, broadcasting media has covered a wide range of different communication methods such as television, radio, newspapers, and magazines. The article's central hypothesis is that movies, TV, and video games quotes, as the subcategory of broadcasting, convey messages about environmental issues. It seems that ecological discourse analysis can be useful, as it focuses on texts about the environment. In a diachronic approach, the present article aims to explore the environmental issues in movies, TV, and video games quotes; in this regard, we analyzed ecological discourse and solutions proposed by IMDb quotes. The data was collected from the IMDb database using Keyword in Context (KWIC) over 1990-2020. The findings indicated that KWICs such as global warming (38%) and endangered species (19.18%) had the highest frequencies. On the other hand, only 0.67% of the raw numbers of quotes belonged to environmental issues, which indicated that IMDb quotes implicitly conveyed the message regarding ecological matters. Furthermore, the studied IMDb mostly explained the consequences and provided solutions to environmental issues. Therefore, the frequency of informing people about environmental negligence was much lower than expected.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"90 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-07-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78035108","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Following the example of the European and American universities in the last three decades, the English Department of the Faculty of Philosophy in Niš has introduced seven courses dealing with the particulars of foreign cultures - British, American, Canadian, Australian, Irish, Scottish and African American studies - all evolving over the years to encompass both the historical and the contemporary socio-political contexts necessary for educating language and literature students - future teachers - and provide them with the background knowledge indispensable for teaching language and literature in context. At the English Department, the mandatory introductory courses in cultural studies are complemented by electives that provide a deeper understanding of both the theoretical concepts and theories pertaining to cultural studies, and the specifics of individual Anglo-American nations and their cultures.
{"title":"TEACHING ANGLO-AMERICAN CULTURE AT THE ENGLISH DEPARTMENT: THE PAST, THE PRESENT AND THE FUTURE","authors":"Ana Kocić Stanković, Sanja Ignjatović","doi":"10.22190/full210726011k","DOIUrl":"https://doi.org/10.22190/full210726011k","url":null,"abstract":"Following the example of the European and American universities in the last three decades, the English Department of the Faculty of Philosophy in Niš has introduced seven courses dealing with the particulars of foreign cultures - British, American, Canadian, Australian, Irish, Scottish and African American studies - all evolving over the years to encompass both the historical and the contemporary socio-political contexts necessary for educating language and literature students - future teachers - and provide them with the background knowledge indispensable for teaching language and literature in context. At the English Department, the mandatory introductory courses in cultural studies are complemented by electives that provide a deeper understanding of both the theoretical concepts and theories pertaining to cultural studies, and the specifics of individual Anglo-American nations and their cultures.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"95 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83959025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The paper discusses lexemes obtained by different word formation processes from the adjective green, represented in a dictionary sample. This analysis indicates a tendency for the semantic content of the base to prevail in the derivatives. The structure of derivational paradigms shows regularities in the organization of the derivational processes of lexico-semantic groups, which produces regularities in the derivational system of the language.
{"title":"DERIVATIONAL PARADIGM OF THE ADJECTIVE ZELEN IN SERBIAN","authors":"Mirjana Ilić","doi":"10.22190/FULL210311001I","DOIUrl":"https://doi.org/10.22190/FULL210311001I","url":null,"abstract":"The paper discusses lexemes obtained by different word formation processes from the adjective green, represented in a dictionary sample. This analysis indicates a tendency for the semantic content of the base to prevail in the derivatives. The structure of derivational paradigms shows regularities in the organization of the derivational processes of lexico-semantic groups, which produces regularities in the derivational system of the language.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-08-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46712362","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The current research aims at exploring and comparing the semantic frames of motion verbs in English and Persian. In pursuit of this goal, the novel Animal farm by G. Orwell (1945) was selected and compared with its Persian translation, Qale heyvanat (Atefi, 2010). The sentences including motion verbs were primarily extracted from the novel and then a comparison was made between each English sentence and its Persian counterpart. Afterwards, the semantic frames of the English and Persian motion verbs were obtained from the FrameNet database. It should be noted that when the motion verbs in English had an equivalent which could be interpreted in a different way in Persian, the Persian verb was searched for in one of the most reliable Persian to English dictionaries—Persian to English Dictionary (Aryanpur and Aryanpur, 2007). We searched for its English equivalent and then the newly obtained English verb was searched in FrameNet for the semantic frame. When comparing the semantic frames of the motion verbs in the two languages examined, we concluded that motion events in English and Persian were expressed through miscellaneous motion verbs each of which involves a semantic frame peculiar to it. Likewise, the frames may be similar or different cross-linguistically in case of semantic differences, or they might be pragmatically similar.
本研究旨在探索和比较英语和波斯语运动动词的语义框架。为了实现这一目标，我们选择了G. Orwell(1945)的小说《动物农场》(Animal farm)，并将其与波斯语译本Qale heyvanat (Atefi, 2010)进行了比较。包括动作动词的句子主要是从小说中提取出来的，然后将每个英语句子与波斯语句子进行比较。然后，从框架数据库中获得英语和波斯语运动动词的语义框架。值得注意的是，当英语中的动作动词在波斯语中有一个对等的动词，可以用不同的方式解释时，波斯语动词就会在最可靠的波斯语到英语词典之一——波斯语到英语词典中搜索(Aryanpur and Aryanpur, 2007)。首先在框架网中搜索对应的英语动词，然后在框架网中搜索新获得的英语动词的语义框架。在比较两种语言中运动动词的语义框架时，我们得出结论，英语和波斯语的运动事件是通过各种各样的运动动词来表达的，每种运动动词都涉及到它特有的语义框架。同样，在语义差异的情况下，这些框架可能在跨语言上相似或不同，也可能在语用上相似。
{"title":"MOTION VERBS IN PERSIAN AND ENGLISH: A FRAMENET-BASED CONTRASTIVE ANALYSIS","authors":"Z. Imani, Rezvan Motavallian Naeini","doi":"10.22190/FULL2002195I","DOIUrl":"https://doi.org/10.22190/FULL2002195I","url":null,"abstract":"The current research aims at exploring and comparing the semantic frames of motion verbs in English and Persian. In pursuit of this goal, the novel Animal farm by G. Orwell (1945) was selected and compared with its Persian translation, Qale heyvanat (Atefi, 2010). The sentences including motion verbs were primarily extracted from the novel and then a comparison was made between each English sentence and its Persian counterpart. Afterwards, the semantic frames of the English and Persian motion verbs were obtained from the FrameNet database. It should be noted that when the motion verbs in English had an equivalent which could be interpreted in a different way in Persian, the Persian verb was searched for in one of the most reliable Persian to English dictionaries—Persian to English Dictionary (Aryanpur and Aryanpur, 2007). We searched for its English equivalent and then the newly obtained English verb was searched in FrameNet for the semantic frame. When comparing the semantic frames of the motion verbs in the two languages examined, we concluded that motion events in English and Persian were expressed through miscellaneous motion verbs each of which involves a semantic frame peculiar to it. Likewise, the frames may be similar or different cross-linguistically in case of semantic differences, or they might be pragmatically similar.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"1 1","pages":"195-205"},"PeriodicalIF":0.0,"publicationDate":"2021-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46083059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Die linkshändige Frau ist eine Erzählung von Peter Handke, die zugleich die zweite Phase in der Entwicklung der Poetik des Autors abschließt. Während man in den ersten Werken traditionelle narrative Formen dekonstruierte und nach neuen Verfahren suchte, um authentische Erlebnisse zu vermitteln, ist für die Werke der zweiten Phase kennzeichnend, dass sie privaten Geschichten Eingang in die Literatur verschaffen, und zwar durch einen neugewonnenen narrativen Umgang. Dieser spiegelt sich auch in der Linkshändigen Frau wider. Ferner weist diese Erzählung, die 1976 veröffentlicht wurde, eine filmische Struktur auf, was auf die ursprüngliche Form eines Drehbuches zurückzuführen ist. Die Erzählung wurde 1978 unter Mitarbeit von Wim Wenders verfilmt. Durch den Synkretismus mit der filmischen Technik nimmt diese Erzählung eine Sonderstellung in Handkes narrativem Opus der 70er-Jahre ein. Im vorliegenden Beitrag wird eine Analyse der Erzählverfahren im Werk durchgeführt. Sie wird anhand von Genettes Modell auf der Ebene der Geschichte und der Ebene des Diskurses veranschaulicht. Die Ebene der Geschichte soll den thematischen Rahmen, der in den 70er-Jahren vorherrschend war, zum Ausdruck bringen, und die Ebene des Diskurses den Einfluss des Films. Dadurch werden die intermedialen Bezüge verdeutlicht. Schließlich wird versucht, die Stellung dieser Erzählung im Gesamtwerk des Autors näher zu erläutern.
{"title":"PRIPOVIJEDNI POSTUPCI U LJEVORUKOJ ŽENI","authors":"Anđelka Krstanović","doi":"10.22190/full2002207k","DOIUrl":"https://doi.org/10.22190/full2002207k","url":null,"abstract":"Die linkshändige Frau ist eine Erzählung von Peter Handke, die zugleich die zweite Phase in der Entwicklung der Poetik des Autors abschließt. Während man in den ersten Werken traditionelle narrative Formen dekonstruierte und nach neuen Verfahren suchte, um authentische Erlebnisse zu vermitteln, ist für die Werke der zweiten Phase kennzeichnend, dass sie privaten Geschichten Eingang in die Literatur verschaffen, und zwar durch einen neugewonnenen narrativen Umgang. Dieser spiegelt sich auch in der Linkshändigen Frau wider. Ferner weist diese Erzählung, die 1976 veröffentlicht wurde, eine filmische Struktur auf, was auf die ursprüngliche Form eines Drehbuches zurückzuführen ist. Die Erzählung wurde 1978 unter Mitarbeit von Wim Wenders verfilmt. Durch den Synkretismus mit der filmischen Technik nimmt diese Erzählung eine Sonderstellung in Handkes narrativem Opus der 70er-Jahre ein. Im vorliegenden Beitrag wird eine Analyse der Erzählverfahren im Werk durchgeführt. Sie wird anhand von Genettes Modell auf der Ebene der Geschichte und der Ebene des Diskurses veranschaulicht. Die Ebene der Geschichte soll den thematischen Rahmen, der in den 70er-Jahren vorherrschend war, zum Ausdruck bringen, und die Ebene des Diskurses den Einfluss des Films. Dadurch werden die intermedialen Bezüge verdeutlicht. Schließlich wird versucht, die Stellung dieser Erzählung im Gesamtwerk des Autors näher zu erläutern.","PeriodicalId":30162,"journal":{"name":"Facta Universitatis Series Linguistics and Literature","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-02-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68291575","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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