“当今世界的光辉形象”

IF 0.3 3区 文学 N/A LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2022-09-01 DOI:10.3167/cs.2022.340307
L. Baratta
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引用次数: 0

摘要

在亨利八世统治时期,鹿特丹的伊拉斯谟的许多作品被翻译成英语。在翻译过程中,这些文本的初衷往往被颠覆,因为伊拉斯谟的声誉被他的译者和他们的赞助人挪用,以服务于各种政治和宗教议程。这篇文章致力于研究伊拉斯谟的作品之一,Sileni Alcibiadis的翻译历史,这是一句谚语,从庞大的paremiographic库中分离出来,被称为Adagia,并于1540年代早期在伦敦作为一个独立的作品出版。通过强调更正,润饰和遗漏,本文旨在指出匿名译者将伊拉斯谟的文本改编为不同的文化和教学背景的方式。本书的最终目的是展示伊拉斯谟的政治思想是如何“迁移”到16世纪中期动荡的英格兰的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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‘A Scorneful Image of this Present World’
Many of Erasmus of Rotterdam’s works were translated into English during the reign of Henry VIII. In the process of translation, the original intention of these texts was often subverted, as Erasmus’s reputation was appropriated by his translators and their patrons to serve a variety of political and religious agendas. The present article is devoted to the translating history of one of Erasmus’s works, Sileni Alcibiadis, a proverb that was detached from the huge paremiographic repository known as Adagia and published as an autonomous work in London in the early 1540s. By highlighting corrections, retouchings and omissions, the article aims at pointing out the ways in which the anonymous translator adapted Erasmus’s text to a different cultural and pedagogic context. The final purpose of this work is to show the way in which Erasmus’s political thought ‘migrates’, with partial manipulations, into the turbulent context of mid-sixteenth-century England.
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来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
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