违法的天主教

IF 0.3 3区 文学 0 LITERARY THEORY & CRITICISM Critical Survey Pub Date : 2023-06-01 DOI:10.3167/cs.2023.350205
Olivia Coulomb
{"title":"违法的天主教","authors":"Olivia Coulomb","doi":"10.3167/cs.2023.350205","DOIUrl":null,"url":null,"abstract":"\nThis article focuses on the omnipresent religiosity that permeates Baz Luhrmann's Romeo + Juliet (1996). The film creates an unconventional combination of a dystopian world – where violence, love, wealth and Catholicism are closely intertwined – and keenly focuses on the Capulets’ and the Montagues’ troubling relationship with religion. Drawing on previous studies by critics such as Christopher Baker, James N. Loehlin and Alan Hager, this article deals, first, with the various ways in which Luhrmann shows transgressions of Catholic faith and practices; second, how his film transgresses the original source text in religious terms; and third, how these transgressions also relate to a spiritual journey towards reconciliation.","PeriodicalId":56154,"journal":{"name":"Critical Survey","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Transgressive Catholicism\",\"authors\":\"Olivia Coulomb\",\"doi\":\"10.3167/cs.2023.350205\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nThis article focuses on the omnipresent religiosity that permeates Baz Luhrmann's Romeo + Juliet (1996). The film creates an unconventional combination of a dystopian world – where violence, love, wealth and Catholicism are closely intertwined – and keenly focuses on the Capulets’ and the Montagues’ troubling relationship with religion. Drawing on previous studies by critics such as Christopher Baker, James N. Loehlin and Alan Hager, this article deals, first, with the various ways in which Luhrmann shows transgressions of Catholic faith and practices; second, how his film transgresses the original source text in religious terms; and third, how these transgressions also relate to a spiritual journey towards reconciliation.\",\"PeriodicalId\":56154,\"journal\":{\"name\":\"Critical Survey\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Critical Survey\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3167/cs.2023.350205\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Critical Survey","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3167/cs.2023.350205","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
引用次数: 0

摘要

本文关注的是巴兹·鲁尔曼的《罗密欧与朱丽叶》(1996)中无处不在的宗教信仰。这部电影创造了一个反乌托邦世界的非传统组合——暴力、爱情、财富和天主教紧密交织在一起——并敏锐地关注了凯普莱特家族和蒙太古家族与宗教之间令人不安的关系。借鉴克里斯托弗·贝克、詹姆斯·n·洛林和艾伦·海格等评论家先前的研究,本文首先探讨了鲁尔曼表现出对天主教信仰和实践的违背的各种方式;其次,他的电影如何在宗教方面违背了原始文本;第三,这些罪过是如何与通往和解的精神之旅联系在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Transgressive Catholicism
This article focuses on the omnipresent religiosity that permeates Baz Luhrmann's Romeo + Juliet (1996). The film creates an unconventional combination of a dystopian world – where violence, love, wealth and Catholicism are closely intertwined – and keenly focuses on the Capulets’ and the Montagues’ troubling relationship with religion. Drawing on previous studies by critics such as Christopher Baker, James N. Loehlin and Alan Hager, this article deals, first, with the various ways in which Luhrmann shows transgressions of Catholic faith and practices; second, how his film transgresses the original source text in religious terms; and third, how these transgressions also relate to a spiritual journey towards reconciliation.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Critical Survey
Critical Survey LITERARY THEORY & CRITICISM-
CiteScore
0.20
自引率
0.00%
发文量
40
期刊最新文献
(There Is) Nothing Like a Dane Alienating Hamlet Västanå Teater's 1996 Hamlet Elli Tompuri's Female Hamlet, 1913 ‘|Y]oung Hamlet’
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1