深渊中的亲情:与深潜

Elizabeth Deloughrey
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引用次数: 1

摘要

虽然关于黑人大西洋的早期作品通常将海洋想象为主要是异性恋规范,男性化的人类代理人从一个大陆迁移到另一个大陆的背景,但这种向西的目的由于更深层次地参与黑人酷儿亲密关系和海洋深处的非人类亲属关系而变得复杂。里弗斯·所罗门最近写的一篇中篇小说他们合作的对话者来自乐队“剪辑”。——大卫·迪格斯、威廉·赫特森和乔纳森·斯奈普斯——描绘了一种名为瓦津鲁的水生人鱼的流动性,他们从死者中诞生,由爱德华·格里桑特称之为“子宫深渊”的非人类人物照料和滋养。在这里,我将《深渊》作为一种投机小说来探索,它直接探讨了海洋起源和本体论的问题,将跨大西洋奴隶贸易的死亡政治转变为“子宫深渊”的可能性,为其“水生突变”的非二元后代的生活提供了可能性。
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Kinship in the abyss: submerging with The Deep
ABSTRACT While a body of earlier work on the Black Atlantic generally imagined the ocean as a backdrop for primarily heteronormative, masculine human agents to move from one continent to another, this westward telos has been complicated by a deeper engagement with Black queer intimacies and non-human kinship relations in the depths of the ocean. A recent novella written by Rivers Solomon with their collaborative interlocuters from the band “clipping.” – Daveed Diggs, William Hutson, and Jonathan Snipes – portrays the fluidity of an aqueous merfolk named the wajinru who are born of the dead and nursed and nourished as kin by non-human figures of what Edouard Glissant terms the “womb abyss.” Here I explore The Deep as speculative fiction that speaks directly to questions of oceanic origins and ontologies, transforming the necropolitics of transatlantic slave trading into the possibilities of the “womb abyss” for the lives of its “aquatically mutated,” non-binary descendants.
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来源期刊
CiteScore
0.60
自引率
25.00%
发文量
18
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