{"title":"《阿萨塔的女儿:反抗的抒情性自我民族志》","authors":"Dominique C. Hill","doi":"10.1177/1940844720978749","DOIUrl":null,"url":null,"abstract":"This embodied lyrical autoethnography expands the look of freedom fighting. (Re)turning to a lasting mother–daughter lesson with new eyes and Assata Shakur’s insistence that liberation is a duty, it introduces “groove[ing]” as a form of freedom fighting. Organized around and through three corresponding images taken at Stone Quarry Art Park, it renders visible quotidian and impactful movements made by a Blackgxrlwomxn when (re)membering lessons from childhood to incite pleasure amidst a pandemic.","PeriodicalId":90874,"journal":{"name":"International review of qualitative research : IRQR","volume":"14 1","pages":"337 - 343"},"PeriodicalIF":0.0000,"publicationDate":"2021-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1940844720978749","citationCount":"0","resultStr":"{\"title\":\"Assata’s (Groove[ing]) Daughter: An Embodied Lyrical Autoethnography of Resistance\",\"authors\":\"Dominique C. Hill\",\"doi\":\"10.1177/1940844720978749\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This embodied lyrical autoethnography expands the look of freedom fighting. (Re)turning to a lasting mother–daughter lesson with new eyes and Assata Shakur’s insistence that liberation is a duty, it introduces “groove[ing]” as a form of freedom fighting. Organized around and through three corresponding images taken at Stone Quarry Art Park, it renders visible quotidian and impactful movements made by a Blackgxrlwomxn when (re)membering lessons from childhood to incite pleasure amidst a pandemic.\",\"PeriodicalId\":90874,\"journal\":{\"name\":\"International review of qualitative research : IRQR\",\"volume\":\"14 1\",\"pages\":\"337 - 343\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1177/1940844720978749\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"International review of qualitative research : IRQR\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/1940844720978749\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"International review of qualitative research : IRQR","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1940844720978749","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Assata’s (Groove[ing]) Daughter: An Embodied Lyrical Autoethnography of Resistance
This embodied lyrical autoethnography expands the look of freedom fighting. (Re)turning to a lasting mother–daughter lesson with new eyes and Assata Shakur’s insistence that liberation is a duty, it introduces “groove[ing]” as a form of freedom fighting. Organized around and through three corresponding images taken at Stone Quarry Art Park, it renders visible quotidian and impactful movements made by a Blackgxrlwomxn when (re)membering lessons from childhood to incite pleasure amidst a pandemic.