{"title":"地球的秘密:恩里克·贝尔纳多·努涅斯(EnriqueBernardo Núñez)的《纠缠的诗歌与委内瑞拉亚马逊》(1939年)一瞥委内瑞拉地图","authors":"Gianfranco Selgas","doi":"10.1080/13569325.2023.2214502","DOIUrl":null,"url":null,"abstract":"In the beginning of the twentieth century, after its rapid insertion into the vortex of oil and mineral extraction, Venezuela was forced to re-think its relationship with nature. This process of rethink, characterised by an eagerness for modernisation, resulted in a series of discourses focused on Venezuela’s Amazonia as a repository of possibilities. This paper analyses how these possibilities were channelled through the metaphor of el secreto de la tierra, tracing an early reading of the ideological configuration of Venezuela and its Amazonia as a land of inexhaustible material and poetic richness. This metaphor was voiced by a set of socio-ecological discourses written about the Venezuelan Amazon, including the essay on Venezuelan geography and culture by Enrique Bernardo Núñez Una ojeada al mapa de Venezuela (1939). The paper focuses on the representation of this region as a set of discursive constructions entangled with the naturalisation of the modernising ideal that has fuelled the imaginaries of material growth and rentier capitalism in Venezuela. The concluding remarks will point to how such a reading can help us to understand a discursive and poetic radicalisation embedded in conflicting approaches to the nature-culture confluence in the Venezuelan Amazon.","PeriodicalId":56341,"journal":{"name":"Journal of Latin American Cultural Studies","volume":"32 1","pages":"283 - 298"},"PeriodicalIF":0.3000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"El secreto de la tierra: Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez\",\"authors\":\"Gianfranco Selgas\",\"doi\":\"10.1080/13569325.2023.2214502\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In the beginning of the twentieth century, after its rapid insertion into the vortex of oil and mineral extraction, Venezuela was forced to re-think its relationship with nature. This process of rethink, characterised by an eagerness for modernisation, resulted in a series of discourses focused on Venezuela’s Amazonia as a repository of possibilities. This paper analyses how these possibilities were channelled through the metaphor of el secreto de la tierra, tracing an early reading of the ideological configuration of Venezuela and its Amazonia as a land of inexhaustible material and poetic richness. This metaphor was voiced by a set of socio-ecological discourses written about the Venezuelan Amazon, including the essay on Venezuelan geography and culture by Enrique Bernardo Núñez Una ojeada al mapa de Venezuela (1939). The paper focuses on the representation of this region as a set of discursive constructions entangled with the naturalisation of the modernising ideal that has fuelled the imaginaries of material growth and rentier capitalism in Venezuela. The concluding remarks will point to how such a reading can help us to understand a discursive and poetic radicalisation embedded in conflicting approaches to the nature-culture confluence in the Venezuelan Amazon.\",\"PeriodicalId\":56341,\"journal\":{\"name\":\"Journal of Latin American Cultural Studies\",\"volume\":\"32 1\",\"pages\":\"283 - 298\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2023-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Latin American Cultural Studies\",\"FirstCategoryId\":\"90\",\"ListUrlMain\":\"https://doi.org/10.1080/13569325.2023.2214502\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Latin American Cultural Studies","FirstCategoryId":"90","ListUrlMain":"https://doi.org/10.1080/13569325.2023.2214502","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
引用次数: 0
摘要
20世纪初,在迅速卷入石油和矿产开采的漩涡之后,委内瑞拉被迫重新思考它与自然的关系。这一以渴望现代化为特征的反思过程,导致了一系列聚焦于委内瑞拉亚马逊地区作为可能性宝库的论述。本文分析了这些可能性是如何通过“el secreto de la tierra”的隐喻来传达的,并追溯了对委内瑞拉及其亚马逊地区的意识形态形态的早期阅读,这是一片物质取之不尽、诗意丰富的土地。这一隐喻是由一系列关于委内瑞拉亚马逊河流域的社会生态话语所表达的,包括恩里克·贝尔纳多(Enrique Bernardo)关于委内瑞拉地理和文化的文章Núñez Una ojeada al mapa de Venezuela(1939)。本文重点关注该地区作为一组话语结构的表现,这些话语结构与现代化理想的归化纠缠在一起,这些理想助长了委内瑞拉物质增长和食利者资本主义的想象。结束语将指出这样的阅读如何帮助我们理解在委内瑞拉亚马逊地区自然文化融合的冲突方法中嵌入的话语和诗歌激进化。
El secreto de la tierra: Entangled Poetics and the Venezuelan Amazon in Una ojeada al mapa de Venezuela (1939) by Enrique Bernardo Núñez
In the beginning of the twentieth century, after its rapid insertion into the vortex of oil and mineral extraction, Venezuela was forced to re-think its relationship with nature. This process of rethink, characterised by an eagerness for modernisation, resulted in a series of discourses focused on Venezuela’s Amazonia as a repository of possibilities. This paper analyses how these possibilities were channelled through the metaphor of el secreto de la tierra, tracing an early reading of the ideological configuration of Venezuela and its Amazonia as a land of inexhaustible material and poetic richness. This metaphor was voiced by a set of socio-ecological discourses written about the Venezuelan Amazon, including the essay on Venezuelan geography and culture by Enrique Bernardo Núñez Una ojeada al mapa de Venezuela (1939). The paper focuses on the representation of this region as a set of discursive constructions entangled with the naturalisation of the modernising ideal that has fuelled the imaginaries of material growth and rentier capitalism in Venezuela. The concluding remarks will point to how such a reading can help us to understand a discursive and poetic radicalisation embedded in conflicting approaches to the nature-culture confluence in the Venezuelan Amazon.