{"title":"MIF Festival 2021与新冠肺炎","authors":"Maggie Gale","doi":"10.1080/10486801.2022.2118728","DOIUrl":null,"url":null,"abstract":"Abstract John McGrath is Artistic Director and Chief Executive of Manchester International Festival (MIF) and The Factory, Manchester, UK. The festival is biennial and commissions new work by artists from all over the globe, presenting the work over an 18 day period in July. Here, John talks in an interview with Maggie B. Gale about the impact of the pandemic on the planning season for the festival, as well as on the festival itself, which took place in July 2021.","PeriodicalId":43835,"journal":{"name":"CONTEMPORARY THEATRE REVIEW","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"MIF Festival 2021 and COVID-19\",\"authors\":\"Maggie Gale\",\"doi\":\"10.1080/10486801.2022.2118728\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract John McGrath is Artistic Director and Chief Executive of Manchester International Festival (MIF) and The Factory, Manchester, UK. The festival is biennial and commissions new work by artists from all over the globe, presenting the work over an 18 day period in July. Here, John talks in an interview with Maggie B. Gale about the impact of the pandemic on the planning season for the festival, as well as on the festival itself, which took place in July 2021.\",\"PeriodicalId\":43835,\"journal\":{\"name\":\"CONTEMPORARY THEATRE REVIEW\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-10-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"CONTEMPORARY THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10486801.2022.2118728\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"CONTEMPORARY THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10486801.2022.2118728","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Abstract John McGrath is Artistic Director and Chief Executive of Manchester International Festival (MIF) and The Factory, Manchester, UK. The festival is biennial and commissions new work by artists from all over the globe, presenting the work over an 18 day period in July. Here, John talks in an interview with Maggie B. Gale about the impact of the pandemic on the planning season for the festival, as well as on the festival itself, which took place in July 2021.
期刊介绍：
Contemporary Theatre Review (CTR) analyses what is most passionate and vital in theatre today. It encompasses a wide variety of theatres, from new playwrights and devisors to theatres of movement, image and other forms of physical expression, from new acting methods to music theatre and multi-media production work. Recognising the plurality of contemporary performance practices, it encourages contributions on physical theatre, opera, dance, design and the increasingly blurred boundaries between the physical and the visual arts.
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