动画赞美乐队和崇拜领军人物:福音派基督教崇拜模仿视频的严肃业务

Monique M. Ingalls
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引用次数: 0

摘要

崇拜音乐恶搞视频是福音派基督教“开玩笑文化”的关键元素之一。音乐促进的“敬拜体验”是福音派最神圣的仪式之一,敬拜模仿的创作者必须小心地在幽默和亵渎之间的界限进行谈判。本文通过对选定的博客、论坛和YouTube评论的文本分析,展示了这些视频所扮演的喜剧和严肃角色。崇拜模仿展示了福音派如何在他们最神圣的做法之一周围运用幽默来质疑神圣的界限,参与关于权力和道德的讨论,调解内部分歧,并支持共同的宗教身份。
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Of Animatronic Praise Bands and Worship-Leading Chickens: The Serious Business of Evangelical Christian Worship Parody Videos
Worship music parody videos are one of the key elements within evangelical Christian “joking culture.” The musically facilitated “worship experience” is among evangelicalism’s most sacred rituals, and worship parody creators must carefully negotiate the line between humor and profanity. Drawing from textual analysis of selected blogs, forums, and YouTube comments, this article demonstrates the comedic and serious roles these videos serve. Worship parodies demonstrate how evangelicals employ humor around one of their most sacred practices to question the boundaries of what is sacred, engage in discourse about power and morality, mediate internal disagreements, and shore up a shared religious identity.
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来源期刊
Journal of Religion and Popular Culture
Journal of Religion and Popular Culture Arts and Humanities-Religious Studies
CiteScore
0.30
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发文量
27
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