阿莫斯·奥兹作品中的第一人称复数和抒情的流动性

IF 0.5 3区 历史学 Q1 HISTORY Journal of Israeli History Pub Date : 2020-07-02 DOI:10.1080/13531042.2020.1861498
V. Shemtov
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引用次数: 1

摘要

摘要在他的整个职业生涯中,阿莫斯·奥兹探索了不同类型的叙事,这些叙事使他能够捕捉到个人的故事和集体的声音。这些故事往往呈现出第一人称单数和第一人称复数叙述之间的紧张关系。在《爱与黑暗的故事》中,奥兹终于找到了一种和谐舒适的说话和写作方式,我称之为他“流畅的I-Us”的声音。我认为,理解《爱与黑暗的故事》中新的、富有诗意的《我》的一个关键是1999年出版的《同一片海》一书,该书先于回忆录。这本书是奥兹的第一部包含他个人传记的虚构作品。在这本书中,奥兹尝试了散文诗,以及抒情的“我”可以引入他的作品中的叙事可能性。
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“Now we shall reveal a little secret” first person plural and lyrical fluidity in the works of Amos Oz
ABSTRACT Throughout his career, Amos Oz explored different kinds of narrations that would enable him to capture both the story of individuals and the voices of the collective. The stories often presented a tension between the first person singular and the first person plural narration. In A Tale of Love and Darkness, Oz finally found a harmonious and comfortable way to speak and write in what I define as his “fluid I-Us” voice. I argue that a key to understanding the new and poetic I of A Tale of Love and Darkness is the 1999 book The Same Sea, which preceded the memoir. This book was the first fictional work by Oz to include his biographical self. In this book, Oz experimented with prose poetry, and with the narrative possibilities that the lyrical “I” can introduce into his work.
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