{"title":"恋童癖和/作为叙事形式:安德烈·纪德的酷儿词汇","authors":"I. Fleishman","doi":"10.1353/FRF.2020.0013","DOIUrl":null,"url":null,"abstract":"Abstract:Reading André Gide's novel Les Faux-monnayeurs (1924) through the lens of Kadji Amin's recent reflections on the historiographically unsteady category of modern pederasty, this article aspires to an understanding of queer as a distinctly narrative model of playfully contrived identity formation. Attention to how queer identities are forged in Gide, and historically in his wake, I argue, will allow new insights into queer theory's perpetual efforts at self-(re)invention.","PeriodicalId":42174,"journal":{"name":"FRENCH FORUM","volume":"45 1","pages":"155 - 169"},"PeriodicalIF":0.1000,"publicationDate":"2021-02-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/FRF.2020.0013","citationCount":"0","resultStr":"{\"title\":\"Pederasty and/as Narrative Form: André Gide's Queer Coinages\",\"authors\":\"I. Fleishman\",\"doi\":\"10.1353/FRF.2020.0013\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Reading André Gide's novel Les Faux-monnayeurs (1924) through the lens of Kadji Amin's recent reflections on the historiographically unsteady category of modern pederasty, this article aspires to an understanding of queer as a distinctly narrative model of playfully contrived identity formation. Attention to how queer identities are forged in Gide, and historically in his wake, I argue, will allow new insights into queer theory's perpetual efforts at self-(re)invention.\",\"PeriodicalId\":42174,\"journal\":{\"name\":\"FRENCH FORUM\",\"volume\":\"45 1\",\"pages\":\"155 - 169\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-02-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/FRF.2020.0013\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"FRENCH FORUM\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/FRF.2020.0013\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, ROMANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"FRENCH FORUM","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/FRF.2020.0013","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, ROMANCE","Score":null,"Total":0}
Pederasty and/as Narrative Form: André Gide's Queer Coinages
Abstract:Reading André Gide's novel Les Faux-monnayeurs (1924) through the lens of Kadji Amin's recent reflections on the historiographically unsteady category of modern pederasty, this article aspires to an understanding of queer as a distinctly narrative model of playfully contrived identity formation. Attention to how queer identities are forged in Gide, and historically in his wake, I argue, will allow new insights into queer theory's perpetual efforts at self-(re)invention.
期刊介绍:
French Forum is a journal of French and Francophone literature and film. It publishes articles in English and French on all periods and genres in both disciplines and welcomes a multiplicity of approaches. Founded by Virginia and Raymond La Charité, French Forum is produced by the French section of the Department of Romance Languages at the University of Pennsylvania. All articles are peer reviewed by an editorial committee of external readers. The journal has a book review section, which highlights a selection of important new publications in the field.