{"title":"《花旗漫画展》(大英博物馆，2019)","authors":"Salina Christmas","doi":"10.16995/CG.181","DOIUrl":null,"url":null,"abstract":"This article presents a commentary on The Citi exhibition Manga (British Museum, 23 May–26 August 2019) from the point of view of a Southeast Asian who is a fan of manga and Japanese culture, but whose family history, like many in the region, was shaped by the outcome of World War 2. By considering the historical context and themes behind some key works, the article concludes that the exhibition succeeded in presenting manga and anime as the intermediary over which common values and sentiments can be shared by all, despite past grievances and political differences.","PeriodicalId":41800,"journal":{"name":"Comics Grid-Journal of Comics Scholarship","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2019-08-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Citi Exhibition Manga マンガ (British Museum, 2019)\",\"authors\":\"Salina Christmas\",\"doi\":\"10.16995/CG.181\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article presents a commentary on The Citi exhibition Manga (British Museum, 23 May–26 August 2019) from the point of view of a Southeast Asian who is a fan of manga and Japanese culture, but whose family history, like many in the region, was shaped by the outcome of World War 2. By considering the historical context and themes behind some key works, the article concludes that the exhibition succeeded in presenting manga and anime as the intermediary over which common values and sentiments can be shared by all, despite past grievances and political differences.\",\"PeriodicalId\":41800,\"journal\":{\"name\":\"Comics Grid-Journal of Comics Scholarship\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2019-08-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Comics Grid-Journal of Comics Scholarship\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/CG.181\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Comics Grid-Journal of Comics Scholarship","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/CG.181","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
The Citi Exhibition Manga マンガ (British Museum, 2019)
This article presents a commentary on The Citi exhibition Manga (British Museum, 23 May–26 August 2019) from the point of view of a Southeast Asian who is a fan of manga and Japanese culture, but whose family history, like many in the region, was shaped by the outcome of World War 2. By considering the historical context and themes behind some key works, the article concludes that the exhibition succeeded in presenting manga and anime as the intermediary over which common values and sentiments can be shared by all, despite past grievances and political differences.
京公网安备 11010802042870号
京ICP备2023020795号-1
分享
求助内容：
应助结果提醒方式：
扫码关注我们
