{"title":"格劳科·马托索(Glauco Mattoso)的《盖丘亚奶酪》(the cheese of quechua)中的活脚","authors":"Alejandro Castro","doi":"10.21471/JLS.V4I1.307","DOIUrl":null,"url":null,"abstract":"This paper approaches \"El queso del quechua,\" the Spanish-language translation of Brazilian writer Glauco Mattoso’s short story \"O quitute do quíchua,\" on the basis of certain central concepts: fetishism, anthropophagy, blindness, coprophagy, and sadomasochist entelechy. It intends to analyze the book itself, released by an Argentine cartonera publishing house, as an object, as well as the story contained within it. Cecilia Palmeiro translated the work, having already published research on the relationship between Mattoso’s work and the consumption of waste. This paper explores the relation between the academy and the cultural field, as well as the presence of a living, acting, mutable, and performative element in Mattoso’s literature.","PeriodicalId":52257,"journal":{"name":"Journal of Lusophone Studies","volume":" ","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2019-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pés vivos in \\\"El queso del quechua\\\" by Glauco Mattoso\",\"authors\":\"Alejandro Castro\",\"doi\":\"10.21471/JLS.V4I1.307\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper approaches \\\"El queso del quechua,\\\" the Spanish-language translation of Brazilian writer Glauco Mattoso’s short story \\\"O quitute do quíchua,\\\" on the basis of certain central concepts: fetishism, anthropophagy, blindness, coprophagy, and sadomasochist entelechy. It intends to analyze the book itself, released by an Argentine cartonera publishing house, as an object, as well as the story contained within it. Cecilia Palmeiro translated the work, having already published research on the relationship between Mattoso’s work and the consumption of waste. This paper explores the relation between the academy and the cultural field, as well as the presence of a living, acting, mutable, and performative element in Mattoso’s literature.\",\"PeriodicalId\":52257,\"journal\":{\"name\":\"Journal of Lusophone Studies\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-06-18\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Lusophone Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.21471/JLS.V4I1.307\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Lusophone Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.21471/JLS.V4I1.307","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文以拜物教、人类吞噬、失明、食粪和施虐受虐狂等核心概念为基础,探讨了巴西作家格劳科·马托索短篇小说《O quitute do quíchua》的西班牙语译本《El queso del quechua》。它打算将这本由阿根廷cartonera出版社发行的书本身作为一个对象,以及其中包含的故事进行分析。塞西莉亚·帕尔梅罗翻译了这本书,并发表了关于马托索的作品与废物消费之间关系的研究。本文探讨了学院与文化领域之间的关系,以及在马托索的文学中存在着一种活生生的、表演性的、多变的和表演性的元素。
Pés vivos in "El queso del quechua" by Glauco Mattoso
This paper approaches "El queso del quechua," the Spanish-language translation of Brazilian writer Glauco Mattoso’s short story "O quitute do quíchua," on the basis of certain central concepts: fetishism, anthropophagy, blindness, coprophagy, and sadomasochist entelechy. It intends to analyze the book itself, released by an Argentine cartonera publishing house, as an object, as well as the story contained within it. Cecilia Palmeiro translated the work, having already published research on the relationship between Mattoso’s work and the consumption of waste. This paper explores the relation between the academy and the cultural field, as well as the presence of a living, acting, mutable, and performative element in Mattoso’s literature.