一九三四至一九四四年殖民时期台湾疗养院的汉森病与病患写作:制度的影响

Kathryn M. Tanaka
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引用次数: 1

摘要

近年来,汉森病患者受到了极大的关注,他们写下了自己在日本的患病经历和隔离政策。奖学金一直集中在“流行”写作上,由相对知名的作家撰写,如HōjßTamio(1914-1937)。然而,将少数杰出的男性作家视为所有患者体验的代表,消除了不同患者体验的多样性。一个没有受到评论关注的文学小圈子是在台湾日本殖民医院台湾省麻风病疗养院(台湾SōtokufuRaibyRakusei-in,今天的乐生疗养院)收容的作家们的作品。殖民地政府于1930年开设了这家医院,医院杂志于1934年开始出版。Rakusei in是日本政府建立的三家殖民地医院之一,也是唯一一家拥有一小群活跃的用日语创作作品的作家的医院。本文介绍了年被诊断患有汉森病并居住在拉库塞作为情感社区的人们的写作,观察了居民在医院官方出版物中协商他们的制度化和殖民地位的方式。最后,我证明,在殖民地台湾,汉森病患者的写作有助于建立一个汉森病患者情感社区。他们参与了支撑日本帝国工程的意识形态的复制,同时在帝国边缘为自己的身份谈判创造了空间。
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Hansen’s Disease and Patient Writing in Colonial Taiwan’s Sanatorium, 1934-1944: The Affect of the Institution
In recent years, much attention has been given to people affected by Hansen’s disease who write about their experience of the illness and quarantine policies in Japan. Scholarship has been focused on “popular” writing, by authors who became relatively well-known, such as Hōjō Tamio (1914-1937). However, the treatment of a few exceptional male writers as representative of all patient experience erases the multiplicities of diverse patient experience. One literary coterie that has received no critical attention is the work produced by writers institutionalized in the Japanese colonial hospital in Taiwan, Rakusei Sanatorium for Lepers of the Governor-General of Taiwan (Taiwan Sōtokufu Raibyō Rakusei-in, today Lesheng Sanatorium). The colonial government opened this hospital in 1930, and the hospital magazine began publication in 1934. Rakusei-in was one of three colonial hospitals established by the Japanese government and it was the only one to have a small, active group of writers producing work in the Japanese language. This paper introduces writing by people diagnosed with Hansen’s disease and living in Rakusei-in as a site of affective communities, looking at the way residents negotiated their institutionalization and colonial status in the official hospital publication. Ultimately, I demonstrate that in colonial Taiwan, writing by those suffering from Hansen’s disease served to create an affective community of Hansen’s disease patients. They participated in the reproduction of the ideologies underpinning Japan’s imperial project, while at the same time creating a space for some negotiation of their own identities on the margins of empire.
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