{"title":"赫伯特·弗里奇的世界","authors":"D. Savran","doi":"10.1017/S1054204323000102","DOIUrl":null,"url":null,"abstract":"With his reinvention of absurd farce, Herbert Fritsch has become one of the most celebrated directors in the German-speaking world. Most remarkable are Fritsch’s original pieces, which he also designs, composed in collaboration with actors and musicians. These defy generic categorization and allow audiences to rethink what is possible to see and hear onstage.","PeriodicalId":46402,"journal":{"name":"TDR-The Drama Review-The Journal of Performance Studies","volume":"67 1","pages":"142 - 160"},"PeriodicalIF":0.4000,"publicationDate":"2023-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The World According to Herbert Fritsch\",\"authors\":\"D. Savran\",\"doi\":\"10.1017/S1054204323000102\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"With his reinvention of absurd farce, Herbert Fritsch has become one of the most celebrated directors in the German-speaking world. Most remarkable are Fritsch’s original pieces, which he also designs, composed in collaboration with actors and musicians. These defy generic categorization and allow audiences to rethink what is possible to see and hear onstage.\",\"PeriodicalId\":46402,\"journal\":{\"name\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"volume\":\"67 1\",\"pages\":\"142 - 160\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"TDR-The Drama Review-The Journal of Performance Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/S1054204323000102\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"TDR-The Drama Review-The Journal of Performance Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/S1054204323000102","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
With his reinvention of absurd farce, Herbert Fritsch has become one of the most celebrated directors in the German-speaking world. Most remarkable are Fritsch’s original pieces, which he also designs, composed in collaboration with actors and musicians. These defy generic categorization and allow audiences to rethink what is possible to see and hear onstage.
期刊介绍：
TDR traces the broad spectrum of performances, studying performances in their aesthetic, social, economic, and political contexts. With an emphasis on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers performance art, theatre, dance, music, visual art, popular entertainments, media, sports, rituals, and the performance in and of politics and everyday life. Each fully illustrated issue includes: -Articles on theatre, dance, popular entertainments, rituals, politics, and social life: the whole broad spectrum of performance -Original contributions to performance theory -Editorial comments, critical analysis, and book reviews -Articles by social scientists, cultural commentators, theorists, artists, scholars, and critics -Interviews with performers, choreographers, directors, composers, and performance artists -Texts of performance works -Translations of important new and decisive archival writings on performance
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