{"title":"“内在差异/意义所在”:狄金森的《生命诗学》","authors":"R. Howell","doi":"10.1353/aim.2022.0036","DOIUrl":null,"url":null,"abstract":"Abstract:This paper, a psychoanalytic, vitalist, materialist investigation, uses a new critical lens and takes up Emily Dickinson’s poetics as the active, irreducible labyrinth of the psyche itself. Specifically, it argues how four defining psychical features—the presence of contradiction and predicament, movement, process and passage, and unconscious forces—are also the distinguishing elements of Dickinson’s work, in content and practice, both aesthetically and ontologically.","PeriodicalId":44377,"journal":{"name":"AMERICAN IMAGO","volume":"79 1","pages":"661 - 683"},"PeriodicalIF":0.1000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Internal difference, / Where the Meanings, are—”: Dickinson’s Animate Poetics\",\"authors\":\"R. Howell\",\"doi\":\"10.1353/aim.2022.0036\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This paper, a psychoanalytic, vitalist, materialist investigation, uses a new critical lens and takes up Emily Dickinson’s poetics as the active, irreducible labyrinth of the psyche itself. Specifically, it argues how four defining psychical features—the presence of contradiction and predicament, movement, process and passage, and unconscious forces—are also the distinguishing elements of Dickinson’s work, in content and practice, both aesthetically and ontologically.\",\"PeriodicalId\":44377,\"journal\":{\"name\":\"AMERICAN IMAGO\",\"volume\":\"79 1\",\"pages\":\"661 - 683\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN IMAGO\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/aim.2022.0036\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN IMAGO","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/aim.2022.0036","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
“Internal difference, / Where the Meanings, are—”: Dickinson’s Animate Poetics
Abstract:This paper, a psychoanalytic, vitalist, materialist investigation, uses a new critical lens and takes up Emily Dickinson’s poetics as the active, irreducible labyrinth of the psyche itself. Specifically, it argues how four defining psychical features—the presence of contradiction and predicament, movement, process and passage, and unconscious forces—are also the distinguishing elements of Dickinson’s work, in content and practice, both aesthetically and ontologically.
期刊介绍:
Founded in 1939 by Sigmund Freud and Hanns Sachs, AMERICAN IMAGO is the preeminent scholarly journal of psychoanalysis. Appearing quarterly, AMERICAN IMAGO publishes innovative articles on the history and theory of psychoanalysis as well as on the reciprocal relations between psychoanalysis and the broad range of disciplines that constitute the human sciences. Since 2001, the journal has been edited by Peter L. Rudnytsky, who has made each issue a "special issue" and introduced a topical book review section, with a guest editor for every Fall issue.