{"title":"Tedesco Frères出售Rosa Bonheur:经销商库存书籍调查","authors":"Isabella Zuralski-Yeager","doi":"10.1086/721990","DOIUrl":null,"url":null,"abstract":"The Dieterle family records of French art galleries, 1846–1986, at the Getty Research Institute, hold the stock books of the Parisian gallery Tedesco Frères. The stock books document transactions relating to approximately two hundred artworks by nineteenth-century painter Rosa Bonheur, who is considered one of the most prominent women artists of her time. Bonheur herself stressed the importance of Tedesco Frères for her career, along with the significance of the role played by publisher and dealer Ernest Gambart. While Gambart’s contributions to Bonheur’s popularity have received much scholarly attention, the contributions of Tedesco Frères are rarely mentioned. The records in the archive furnish the extent of the dealings by Tedesco Frères and enable new conclusions about the gallery’s impact on Bonheur’s commercial success and international fame. The gallery’s sales strategies are also evaluated in the context of the growing internationalization of art markets in the late nineteenth century.","PeriodicalId":41510,"journal":{"name":"Getty Research Journal","volume":"16 1","pages":"195 - 208"},"PeriodicalIF":0.1000,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Tedesco Frères Selling Rosa Bonheur: An Inquiry into Dealers’ Stock Books\",\"authors\":\"Isabella Zuralski-Yeager\",\"doi\":\"10.1086/721990\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The Dieterle family records of French art galleries, 1846–1986, at the Getty Research Institute, hold the stock books of the Parisian gallery Tedesco Frères. The stock books document transactions relating to approximately two hundred artworks by nineteenth-century painter Rosa Bonheur, who is considered one of the most prominent women artists of her time. Bonheur herself stressed the importance of Tedesco Frères for her career, along with the significance of the role played by publisher and dealer Ernest Gambart. While Gambart’s contributions to Bonheur’s popularity have received much scholarly attention, the contributions of Tedesco Frères are rarely mentioned. The records in the archive furnish the extent of the dealings by Tedesco Frères and enable new conclusions about the gallery’s impact on Bonheur’s commercial success and international fame. The gallery’s sales strategies are also evaluated in the context of the growing internationalization of art markets in the late nineteenth century.\",\"PeriodicalId\":41510,\"journal\":{\"name\":\"Getty Research Journal\",\"volume\":\"16 1\",\"pages\":\"195 - 208\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Getty Research Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/721990\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Getty Research Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/721990","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Tedesco Frères Selling Rosa Bonheur: An Inquiry into Dealers’ Stock Books
The Dieterle family records of French art galleries, 1846–1986, at the Getty Research Institute, hold the stock books of the Parisian gallery Tedesco Frères. The stock books document transactions relating to approximately two hundred artworks by nineteenth-century painter Rosa Bonheur, who is considered one of the most prominent women artists of her time. Bonheur herself stressed the importance of Tedesco Frères for her career, along with the significance of the role played by publisher and dealer Ernest Gambart. While Gambart’s contributions to Bonheur’s popularity have received much scholarly attention, the contributions of Tedesco Frères are rarely mentioned. The records in the archive furnish the extent of the dealings by Tedesco Frères and enable new conclusions about the gallery’s impact on Bonheur’s commercial success and international fame. The gallery’s sales strategies are also evaluated in the context of the growing internationalization of art markets in the late nineteenth century.
期刊介绍:
The Getty Research Journal features the work of art historians, museum curators, and conservators around the world as part of the Getty’s mission to promote the presentation, conservation, and interpretation of the world''s artistic legacy. Articles present original scholarship related to the Getty’s collections, initiatives, and research. The journal is now available in a variety of digital formats: electronic issues are available on the JSTOR platform, and the e-Book Edition for iPad, iPhone, Kindle, Android, or computer is available for download.