通过合法性谈判表达后殖民记忆——以简•彼得森•科恩的胡恩雕像为例

Gerlov van Engelenhoven
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引用次数: 0

摘要

荷兰殖民者Jan Pieterssoon Coen是建立香料垄断的英雄,也是1621年为追求这种垄断而大规模杀害班达内斯人的罪犯。2011年,他在胡恩的雕像从基座上掉下来后,市政当局不顾抗议者要求将雕像搬迁到韦斯特弗里斯博物馆的要求,决定修复雕像。作为妥协,市政当局为雕像提供了一个最新的铭文,以承认科恩有争议的遗产,并在韦斯特弗里斯博物馆举办了一场展览,从而为抗议活动发声。在这篇文章中,我将把这些事件分析为一场关于后殖民记忆表达的冲突:殖民地的过去应该如何被记住?通过奥尔森的合法性与情感理论和马尔库塞的压制性宽容理论,我将把这场冲突解释为不同合法性的谈判。
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Articulating Postcolonial Memory Through the Negotiation of Legalities: The Case of Jan Pieterszoon Coen’s Statue in Hoorn
Dutch colonizer Jan Pieterszoon Coen is remembered as a hero for establishing the spice monopoly and as a perpetrator who mass-killed the Bandanese population in 1621 in pursuit of that monopoly. After his statue in Hoorn fell off its pedestal in 2011, the municipality decided to restore it in disregard of protesters requesting the statue’s relocation to Westfries Museum. As a compromise, the municipality granted the protest a voice by providing the statue with an updated inscription that acknowledges Coen’s controversial legacy and an accompanying exhibition in Westfries Museum. In this essay, I will analyze these events as a conflict about the articulation of postcolonial memory: how should the colonial past be remembered? Through Olson’s theory of legality and affect and Marcuse’s theory of repressive tolerance, I will interpret this conflict as the negotiation of different legalities.
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