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引用次数: 0
摘要
摘要本文以早期现代法律学者雨果·格劳秀斯(Hugo Grotius)的著作为中心,探讨荷兰帝国主义背景下对海洋和水的本体论评估的政治利害关系。它借鉴了与荷兰土地复垦项目的联系,同时将这些与当代围绕水、本体论和种族的关键水和海洋研究中的紧迫问题联系起来。这是对格劳秀斯关于海洋为永久无主财产的理解的重新思考——它动摇了格劳秀斯关于海洋无主的观点。海洋牢牢地保持在人类财产的范围内,因此排除了那些被认为是非人类的,包括种族化的、性别化的和超越人类的生命形式。格劳秀斯的“永久无主权”(perpetual res nullius)并没有形成领土、个人和国家财产概念化的例外,而是为其设定了先决条件——为世界的物化做好准备。我研究了这种对海洋和水的理解是如何影响我们对海洋、法律、存在和归属的思考的。与此同时,海洋的物质性似乎与格劳秀斯的法律叙事相抵触。尽管格劳秀斯对海洋想象力的征服继续为资本积累的全球模式辩护,但海洋总是已经搁浅,并从这种简化的想象中溢出。
Abstract This article pivots around the work of early modern legal scholar Hugo Grotius to consider the political stakes of ontological assessments of the sea and water in the context of Dutch imperialism. It draws on links with land reclamation projects in the Netherlands, while at the same time ties these to urgent questions within contemporary critical water and ocean studies around water, ontology, and race. Suggesting a rethinking of Grotius’s understanding of the ocean as perpetual res nullius – perpetually ownerless property – it destabilizes renditions of Grotius’s free sea as free from ownership. The ocean remains firmly within the orbit of property, the property of mankind, thereby excluding those considered non-human, including racialized, gendered, and more-than-human life forms. Grotius’s mare liberum as perpetual res nullius does not form an exception from territorial, personal, and national conceptualizations of property, but rather preconditions it – preparing the world for its thingification. I examine how this understanding of the ocean and of water has colonized our thinking of the ocean, law, being, and belonging. At the same time, the ocean’s very materiality seems to resist Grotius’s legal narrative. Although Grotius’s conquest of maritime imagination continues to justify global models of capital accumulation, the ocean always already shores up against and spills out of such reductive imaginaries.
期刊介绍:
Angelaki: journal of the theoretical humanities was established in September 1993 to provide an international forum for vanguard work in the theoretical humanities. In itself a contentious category, "theoretical humanities" represents the productive nexus of work in the disciplinary fields of literary criticism and theory, philosophy, and cultural studies. The journal is dedicated to the refreshing of intellectual coordinates, and to the challenging and vivifying process of re-thinking. Angelaki: journal of the theoretical humanities encourages a critical engagement with theory in terms of disciplinary development and intellectual and political usefulness, the inquiry into and articulation of culture.