剩下的房子:主动的和有意义的声音

Daniela Bunn
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引用次数: 0

摘要

在考虑诗学和疫情时期声音的力量时,本文试图对禁闭期间声音的意义进行一些思考。被剥夺了身体和身体接触,无论是否在诗意的语境中,声音都会增强。我们没有形象,但我们不能没有声音,成为一台巨大战争机器的战士。根据1915年弗洛伊德的说法,我们要么战斗,要么停滞不前,通过这种方式,(重新)发现镜子中的碎片,并重新组织图像。根据Paul Zumthor(2001)的《A letra e A voz》一书和Jerusa Pires Ferreira(1995)的《Cultura e memoria》一书,以在圣卡塔琳娜海岸练习的Ratoeira为例,反思声音和记忆的关系。这篇文章是对身体和声音关系的文献研究的结果,这是一种名为Ratoeira的口头传统的流行表现,它寻求与当前疫情的联系,在这一时刻,我们正在重新学习倾听和用语言抗争。在这场战斗中,声音和文学发挥着至关重要的作用。
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# io resto a casa: vozes (in)ativas e (res)significadas
When considering poetics and the power of the voice in times of pandemic, this article intends to launch a few reflections on the (res)signification of the voice during confinement. Deprived of the body and physical contact, the voice is enhanced, in poetic contexts or not. We are left without image, but we cannot be without the voice, becoming fighters of a huge war machine. Accordingly to Freud in 1915, we fight or stagnate, and in this way, (re)discover our fragments in the mirror and reorganize the image. Based on the book A letra e a voz, by Paul Zumthor (2001), and the text "Cultura e memoria", by Jerusa Pires Ferreira (1995), a Ratoeira is taken as an example, practiced on the coast of Santa Catarina, to reflect on the relationship of voice and memory. This article results from bibliographic research on the relationship of the body and voice, the popular manifestation of an oral tradition called Ratoeira, and it seeks connections with the current moment of the pandemic, in which we are relearning to listen and fight with words. For this combat, voice and literature play an essential role.
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来源期刊
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发文量
10
审稿时长
24 weeks
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