{"title":"看到这条线的要点:Shakir Hassan Al Sa ' id对艺术作品的沉思概念","authors":"Saleem Al-Bahloly","doi":"10.1386/jciaw_00044_1","DOIUrl":null,"url":null,"abstract":"This article details how existential phenomenology, mystical theology and abstraction came together in the practice of Shakir Hassan Al Saʿid in the 1960s in order to produce a grammar of experience that might establish some human relationship to a universe rendered meaningless by scientific developments.","PeriodicalId":36575,"journal":{"name":"Journal of Contemporary Iraq and the Arab World","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Seeing the point for the line: Shakir Hassan Al Saʾid’s contemplative concept of the artwork\",\"authors\":\"Saleem Al-Bahloly\",\"doi\":\"10.1386/jciaw_00044_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article details how existential phenomenology, mystical theology and abstraction came together in the practice of Shakir Hassan Al Saʿid in the 1960s in order to produce a grammar of experience that might establish some human relationship to a universe rendered meaningless by scientific developments.\",\"PeriodicalId\":36575,\"journal\":{\"name\":\"Journal of Contemporary Iraq and the Arab World\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Iraq and the Arab World\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jciaw_00044_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Iraq and the Arab World","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jciaw_00044_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
摘要
这篇文章详细描述了存在现象学、神秘神学和抽象学是如何在20世纪60年代的Shakir Hassan Al Sa - Al - id的实践中结合在一起，以产生一种经验语法，这种语法可能会建立一些人类与被科学发展变得毫无意义的宇宙的关系。
Seeing the point for the line: Shakir Hassan Al Saʾid’s contemplative concept of the artwork
This article details how existential phenomenology, mystical theology and abstraction came together in the practice of Shakir Hassan Al Saʿid in the 1960s in order to produce a grammar of experience that might establish some human relationship to a universe rendered meaningless by scientific developments.
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