Youth on Screen: Representing Young People in Film and Television

canonisation of Pride as a memory resource is demonstrated by Horvat’s interactions with archivists at the People’s History Museum, the emergence of LGSMigrants and the reignited interest in LGSM at Pride events across the country. By demonstrating the obfuscations in the film’s content, Horvat makes a case for considering the types of queer histories which are being presented as vital queer memories. Beyond this and perhaps most pressingly, it asks once presented with these pasts, what kinds of futures are viewers encouraged to seek.