时装表演

IF 0.8 0 HUMANITIES, MULTIDISCIPLINARY Critical Studies in Fashion & Beauty Pub Date : 2020-12-01 DOI:10.1386/csfb_00012_2
A. Smelik, S. Kaiser
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引用次数: 2

摘要

幸运的是,远程办公的人可能会意识到自己在屏幕前只露出了身体的上半或三分之一。在网上会议和课程中,盯着自己的脸和其他人的脸,需要新的化妆和穿衣习惯。把好看的上衣和运动裤结合在一起,露出身体(希望)没有人能看到的部位,这表明裙子毕竟是在表演。孩子们在远程在线学习时也被要求关注公众的目光。许多学校要求或要求在线学生在家穿着,就像他们在教室里一样©2020 Intellect Ltd Introduction
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Performing fashion
The COVID-19 pandemic brings into sharp relief the performative aspect of the way we dress Those who are fortunate to be working remotely are likely to be conscious of their screen pres-ence, which reveals only the top half or third of the body Staring at one’s own face among many others during the online meetings and classes requires new makeup and dressing routines Makeup and hair matter, as do tops, but bottoms and shoes take on a diminished importance Combining nice tops that are in view with sweatpants for the part of the body that (hopefully) no one can see reveals that dress is, after all, performative: we dress not only for ourselves but also for others;for the public gaze Children, too, are being asked to attend to the public gaze as they learn remotely online Many schools are asking or requiring online pupils to dress at home as they would if they were in the classroom © 2020 Intellect Ltd Introduction
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来源期刊
Critical Studies in Fashion & Beauty
Critical Studies in Fashion & Beauty HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
75.00%
发文量
10
期刊最新文献
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