特权的画面:审视2018年澳大利亚儿童绘本中缺乏多样化的角色

Pub Date : 2022-02-09 DOI:10.3138/jeunesse-14.1.02
Emily Booth, Rebecca Lim
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引用次数: 1

摘要

本文探讨了2019年与倡导组织“十字路口之声”(VFTI)合作进行的第一次澳大利亚儿童绘本“多样性统计”的结果。具体来说,本文探讨了2018年澳大利亚儿童绘本中83%没有边缘化主角的作品:即那些以任何方式都不能被视为边缘化的人类角色、动物和不人道的主角为主角的作品。我们认为,澳大利亚出版业并没有遭受“多样性赤字”的困扰,而是过度代表了人类经历和非人类主角的狭隘人口统计。我们认为,当地儿童绘本市场的过度饱和,这种类似的故事对所有孩子都不利,他们被剥夺了丰富多样的阅读体验,也没有机会看到自己和同龄人被描绘出来。这篇文章对当前关于儿童媒体的多样性和包容性的争论提供了更深入的见解。
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The Picture of Privilege: Examining the Lack of Diverse Characters in 2018 Australian Children’s Picture Books
This article explores the findings from the first “diversity count” of Australian children’s picture books, conducted in 2019 in partnership with advocacy group Voices from the Intersection (VFTI). Specifically, this article explores the eightythree percent of 2018 Australian children’s picture books that did not feature a marginalized protagonist: namely, those that featured human characters who could not be identified as marginalized in any way, animals, and inhuman protagonists. We propose that the Australian publishing industry, rather than suffering from a “diversity deficit,” instead overrepresents a narrow demographic of human experiences and non-human protagonists. We suggest that the oversaturation of the local children’s picture book market with such similar stories disadvantages all children, who are denied a rich and diverse reading experience, as well as the opportunity to see themselves and their peers depicted. This article provides greater insight into the current debates about diversity and inclusion in children’s media.
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