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J. L. Barnes’s The Inheritance Games and the Rejuvenation of Proverbs j·l·巴恩斯的《传承游戏与谚语的复兴》
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0027
Luis J. Tosina Fernández
The present article analyzes the use of proverbs in The Inheritance Games (2020), the first book of the novel trilogy of the same name, currently enjoying great popularity and commercial success among young readers. In the first half of the book, proverbs are a central theme in the development of the action, continuing to be used frequently by various characters throughout the rest of the book, especially by Avery Grambs, the protagonist and first-person narrator. This use of proverbs in a novel targeted at young adults is remarkable inasmuch as they are a discourse device most commonly associated with older generations and traditions. Furthermore, proverbs contribute to the portrayal of various characters, illustrating their paremiological competence and the different ways in which they may be employed as established by proverb scholarship. As a result, the relevance of proverbs for the plot and their frequency of appearance challenges the widespread belief that they are old-fashioned uses of languages most frequently employed by older adults, potentially promoting an interest in them among teenagers and young adults reading the series.
本文分析了《继承游戏》(2020)中谚语的使用,《继承游戏》是目前在年轻读者中非常受欢迎和商业成功的同名小说三部曲的第一部。在书的前半部分,谚语是情节发展的中心主题,在书的其余部分中,各种角色继续频繁地使用谚语,尤其是主人公兼第一人称叙述者埃弗里·格兰布斯。在一部针对年轻人的小说中,谚语的使用是值得注意的,因为它们是一种最常与老一辈和传统联系在一起的话语手段。此外,谚语有助于描绘各种人物,说明他们的paremiological能力和不同的方式,他们可以使用谚语奖学金建立。因此,谚语与情节的相关性及其出现的频率挑战了人们普遍认为的谚语是老年人最常用的语言的老式用法,这可能会引起青少年和年轻人对该系列的兴趣。
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引用次数: 0
Editorial Introduction: Some Delights and Ends of Multilingualism in Young Adult Fiction 编辑导论:青少年小说中多语言的一些乐趣和结局
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2023-0018
Sarah Olive
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引用次数: 0
Les animaux face à la maladie d’Alzheimer 面对阿尔茨海默病的动物
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0016
Samuel Bidaud
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引用次数: 0
Ecopedagogy in Children’s Literature: Review of the Environment and Sustainability Book Series from Pratham Books 儿童文学中的生态学:Pratham Books出版的《环境与可持续发展丛书》述评
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0015
Kanu Priya
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引用次数: 0
Tisser le conte, l’album et la bande-dessinée : réfléchir les genres graphiques 编织故事、专辑和漫画:思考图形类型
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0023
Caroline Starzecki
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引用次数: 0
Jojo Rabbit, or On Education: Taika Waititi’s Take on Childhood, Democracy, and Hope 兔子乔乔,或教育:塔伊卡·怀蒂蒂对童年、民主和希望的看法
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0019
Javier Samper Vendrell
As fictional figures, children elicit strong emotional responses. This potential for identification presents a challenge in the case of Taika Waititi’s Academy Award–nominated film Jojo Rabbit (2019). Who would want to feel sorry for a Nazi child? Instead of portraying children as either inherently innocent or evil, the film shows that the Nazi regime has corrupted the child through humiliation and violence. This form of poisonous pedagogy is the root of his fanaticism. The author contends that the film illustrates how the grip of racist ideology can be loosened with love and empathy as its antidotes. More importantly, the film addresses issues of contemporary relevance. While a Hollywood film like Jojo Rabbit will not end political polarization or racism, its reassurance that everything could turn out all right is meant to provide comfort and foster hope. By making viewers aware that prejudice is a behaviour that can be unlearned, cinema thus becomes a tool for democratic education.
作为虚构的人物,孩子们会引起强烈的情绪反应。在Taika Waititi获得奥斯卡奖提名的电影《Jojo Rabbit》(2019)中,这种识别潜力提出了挑战。谁会同情一个纳粹的孩子呢?这部电影没有把孩子描绘成天生无辜或邪恶的人,而是展示了纳粹政权通过羞辱和暴力腐蚀了孩子。这种有害的教学法是他狂热的根源。作者认为,这部电影说明了如何用爱和同理心作为解药来放松种族主义意识形态的控制。更重要的是,这部电影探讨了与当代相关的问题。虽然像《乔乔兔》这样的好莱坞电影不会结束政治两极分化或种族主义,但它保证一切都会好起来,这意味着提供安慰和培养希望。通过让观众意识到偏见是一种可以消除的行为,电影因此成为民主教育的工具。
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引用次数: 0
The Never-ending Dialogue: Reading through Lucy Maud Montgomery’s Children and Childhoods 永无休止的对话:通读露西·莫德·蒙哥马利的《儿童与童年》
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0034
Yan Du
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引用次数: 0
What Would Agatha Christie Do? Exploring Escapism, Popular Culture, and Family in YA Murder Mysteries 阿加莎·克里斯蒂会怎么做?探索青少年谋杀悬疑中的逃避主义、流行文化和家庭
Q2 Arts and Humanities Pub Date : 2023-06-01 DOI: 10.3138/jeunesse-2022-0029
Lisa Portelli
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引用次数: 0
Growing Out: Atemporal Figurations of Childhood in Literature and Theory 成长:文学与理论中童年的非时间性形象
Q2 Arts and Humanities Pub Date : 2023-05-27 DOI: 10.3138/jeunesse-2022-0028
Figurations of the child frequently establish and rely upon a linear conception of time. This article is a response to the problematic linearity of teleological developmentalism through a discussion of non-linear theoretical and fictional approaches to the figuration of the child. The author discusses some of the issues that have been raised with linear developmental models and joins a growing chorus of childhood studies and early education scholars by working against the constrictions of linear time. This article conceptualizes non-linear models of time and development, through exploration of Michael Ende’s Momo, a young adult novel that theorizes non-linear time, and Charlie Mackesy’s The Boy, the Mole, the Fox and the Horse, a contemporary best-seller that defies age categorization and invites non-linear material interaction (i.e., defying the determined action of reading from front to back and left to right). This article introduces and exemplifies the concept of “atemporal presence” to define the timeless present moment from which Momo’s titular character operates, and it offers the idea of “growing out” as an alternative to notions of “growing up.” This author illustrates how establishing non-linear conceptions of time and development creates sites for free, non-hierarchical growth.
儿童的形象经常建立并依赖于线性的时间概念。本文通过对儿童形象塑造的非线性理论和虚构方法的讨论,回应了目的论发展主义的线性问题。作者讨论了线性发展模型提出的一些问题,并通过反对线性时间的限制,加入了越来越多的儿童研究和早期教育学者的行列。本文通过对迈克尔·恩德(Michael Ende)的《莫莫》(Momo)和查理·麦克西(Charlie Mackesy)的《男孩、鼹鼠、狐狸和马》(The Boy,The Mole,The Fox and The Horse)的探索,将时间和发展的非线性模型概念化,一本挑战年龄分类并邀请非线性材料互动的当代畅销书(即挑战从前到后、从左到右阅读的既定动作)。本文引入并举例说明了“atemporal presence”的概念,以定义Momo名义上的角色运作的永恒当下,并提出了“成长”的概念作为“成长”概念的替代。
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引用次数: 0
Children’s Participation in Colombia: Uses, Perceptions, and Feelings of the Media Environment 哥伦比亚儿童的参与:媒体环境的使用、感知和感受
Q2 Arts and Humanities Pub Date : 2023-05-26 DOI: 10.3138/jeunesse-2022-0024
Rocío López-Ordosgoitia, Diana Alexandra Giraldo-Cadavid, Diana Marcela Aristizábal-García, Andrea Lafaurie
Children’s participation in the digital environment is gaining more attention as children seem to be active audiences, selecting and developing digital skills to access and interact across multiple platforms and devices. Nonetheless, little is known about media participation from the children’s perspective. This article presents the quantitative results of a survey of 244 children aged seven to fourteen years in Colombia about their perception of media use as a form of participation. The study’s results suggest that there is a varied range of media uses for different purposes that are not exclusive to just one device or one type of media. These results are significant as they show the way children look at their media landscape and engage with it. The authors also identify children’s perception of participation as well as their feelings regarding their media engagement. This research gives particular impetus to efforts aimed at recognizing the meanings of children’s participation in the media environment beyond the political and the civic duties to the social and the playful, incorporating children’s perceptions, experiences, and roles in society.
儿童在数字环境中的参与越来越受到关注,因为儿童似乎是活跃的受众,他们选择和发展数字技能,以便在多个平台和设备上访问和互动。然而,从儿童的角度来看,媒体的参与却鲜为人知。本文介绍了哥伦比亚244名7至14岁儿童对媒体使用作为一种参与形式的看法的定量调查结果。研究结果表明,不同目的的媒体使用范围不同,而不仅仅是一种设备或一种类型的媒体。这些结果很重要,因为它们显示了孩子们看待媒体环境并参与其中的方式。作者还确定了儿童对参与的感知以及他们对媒体参与的感受。这项研究特别推动了旨在认识儿童参与媒体环境的意义的努力,这些意义超越了政治和公民义务,而是社会和游戏,结合了儿童的观念、经验和社会角色。
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引用次数: 0
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Jeunesse-Young People Texts Cultures
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