{"title":"《失乐园》中的蛇形雕像","authors":"A. Atkinson","doi":"10.1353/sip.2023.0011","DOIUrl":null,"url":null,"abstract":"Abstract:This essay links the Mannerist figura serpentinata to the figure of the serpent in John Milton's Paradise Lost. The figura serpentinata depicts human forms in twisting, upwardly spiraling poses in order to convey man's moral and spiritual growth through dynamic physical realism. I argue that Milton draws on the figura serpentinata in order to develop a poetics of becoming that links wandering, twisting figures to the dialectic between creation and learning through which humans and the created world ascend up the great chain of being as they gradually increase in perfection. This shape—figured through the language of wandering, error, turning, and other serpentine phrases—constitutes nothing less than the defining shape of prelapsarian ontology and knowledge.","PeriodicalId":45500,"journal":{"name":"STUDIES IN PHILOLOGY","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Figura Serpentinata in Paradise Lost\",\"authors\":\"A. Atkinson\",\"doi\":\"10.1353/sip.2023.0011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay links the Mannerist figura serpentinata to the figure of the serpent in John Milton's Paradise Lost. The figura serpentinata depicts human forms in twisting, upwardly spiraling poses in order to convey man's moral and spiritual growth through dynamic physical realism. I argue that Milton draws on the figura serpentinata in order to develop a poetics of becoming that links wandering, twisting figures to the dialectic between creation and learning through which humans and the created world ascend up the great chain of being as they gradually increase in perfection. This shape—figured through the language of wandering, error, turning, and other serpentine phrases—constitutes nothing less than the defining shape of prelapsarian ontology and knowledge.\",\"PeriodicalId\":45500,\"journal\":{\"name\":\"STUDIES IN PHILOLOGY\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"STUDIES IN PHILOLOGY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/sip.2023.0011\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LANGUAGE & LINGUISTICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"STUDIES IN PHILOLOGY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/sip.2023.0011","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LANGUAGE & LINGUISTICS","Score":null,"Total":0}
Abstract:This essay links the Mannerist figura serpentinata to the figure of the serpent in John Milton's Paradise Lost. The figura serpentinata depicts human forms in twisting, upwardly spiraling poses in order to convey man's moral and spiritual growth through dynamic physical realism. I argue that Milton draws on the figura serpentinata in order to develop a poetics of becoming that links wandering, twisting figures to the dialectic between creation and learning through which humans and the created world ascend up the great chain of being as they gradually increase in perfection. This shape—figured through the language of wandering, error, turning, and other serpentine phrases—constitutes nothing less than the defining shape of prelapsarian ontology and knowledge.
期刊介绍:
Founded in 1903, Studies in Philology addresses scholars in a wide range of disciplines, though traditionally its strength has been English Medieval and Renaissance studies. SIP publishes articles on British literature before 1900 and on relations between British literature and works in the Classical, Romance, and Germanic Languages.