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引用次数: 1
摘要
本文研究了“超诗体”,我将其称为比典型自由诗行更长的公制单位。自由诗是现代主义诗体的创新,它引入了一种复合行,这种复合行的成员分享了一般的十音节节奏。胡安·拉蒙·希门尼斯(Juan Ramon Jimenez)最后几首诗的散文化意味着自由诗的彻底演变,但这一举动仍然处于边缘地位。然而,“novisimos”的超诗出现在六十年代,作为原始自由诗和其变体之间的联系。此外,超韵是“新派”诗歌的一个特征,它将他们这一代人与先锋队联系起来。
El hiperversículo en la generación de los novísimos
This article examines the “hyperverse”, as I will call the metric unit longer than the typical free verse line. The free verse innovates the modernist silva by introducing the versiculo, a compound line whose members share the general hendecasyllabic rhythm. The prosification of Juan Ramon Jimenez’s last poems meant a radical evolution of the free verse, but this move remained marginal. However, the hyperverse of the “novisimos” arises in the sixties as a link between the original free verse and its prosified variety. Besides, the hyperverse is a characterizing feature of the poetry of the “novisimos” which relates their generation to the vanguard.