{"title":"初观弥尔顿的《莎士比亚","authors":"M. Kilgour","doi":"10.5325/miltonstudies.65.1.0007","DOIUrl":null,"url":null,"abstract":"abstract:For Miltonists and early modern scholars in general, the identification of Milton’s copy of Shakespeare’s First Folio through the combined work of Claire Bourne and Jason Scott-Warren was exhilarating. At last there seemed hard proof of a bridge between the writers whom Samuel Taylor Coleridge described as the “twin peaks” of English literature. But what do Milton’s marginal brackets and editorial emendations tell us? This article addresses some of the patterns that can be found in the folio and considers how they might be connected to major concerns in Milton’s poetry, particularly through his reading of Romeo and Juliet.","PeriodicalId":42710,"journal":{"name":"Milton Studies","volume":"65 1","pages":"30 - 7"},"PeriodicalIF":0.1000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"On First Looking into Milton’s Shakespeare\",\"authors\":\"M. Kilgour\",\"doi\":\"10.5325/miltonstudies.65.1.0007\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:For Miltonists and early modern scholars in general, the identification of Milton’s copy of Shakespeare’s First Folio through the combined work of Claire Bourne and Jason Scott-Warren was exhilarating. At last there seemed hard proof of a bridge between the writers whom Samuel Taylor Coleridge described as the “twin peaks” of English literature. But what do Milton’s marginal brackets and editorial emendations tell us? This article addresses some of the patterns that can be found in the folio and considers how they might be connected to major concerns in Milton’s poetry, particularly through his reading of Romeo and Juliet.\",\"PeriodicalId\":42710,\"journal\":{\"name\":\"Milton Studies\",\"volume\":\"65 1\",\"pages\":\"30 - 7\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Milton Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/miltonstudies.65.1.0007\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"POETRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Milton Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/miltonstudies.65.1.0007","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"POETRY","Score":null,"Total":0}
引用次数: 0
摘要
对于弥尔顿学者和一般的早期现代学者来说,通过克莱尔·伯恩和杰森·斯科特-沃伦的联合作品来识别弥尔顿的莎士比亚《第一对开本》是令人振奋的。塞缪尔·泰勒·柯勒律治(Samuel Taylor Coleridge)将这两位作家称为英国文学的“双峰”,最后似乎有了确凿的证据,证明他们之间存在着一座桥梁。但是弥尔顿的边缘括号和编辑的修改告诉了我们什么?这篇文章讨论了在对开本中可以找到的一些模式,并考虑了它们是如何与弥尔顿诗歌中的主要关注点联系起来的,特别是通过他对《罗密欧与朱丽叶》的阅读。
abstract:For Miltonists and early modern scholars in general, the identification of Milton’s copy of Shakespeare’s First Folio through the combined work of Claire Bourne and Jason Scott-Warren was exhilarating. At last there seemed hard proof of a bridge between the writers whom Samuel Taylor Coleridge described as the “twin peaks” of English literature. But what do Milton’s marginal brackets and editorial emendations tell us? This article addresses some of the patterns that can be found in the folio and considers how they might be connected to major concerns in Milton’s poetry, particularly through his reading of Romeo and Juliet.