传教士与先知:中世纪后期福音派圣约翰的交响

IF 0.5 1区 艺术学 0 MEDIEVAL & RENAISSANCE STUDIES Plainsong & Medieval Music Pub Date : 2023-03-22 DOI:10.1017/s0961137122000183
Catherine Saucier
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摘要

摘要圣扬教堂位于中世纪列日教区北部边界的赫托根博施镇,为广受尊敬的使徒福音派圣约翰培养了独特的当地信仰。最值得注意的是五次年度盛宴,其中两次在西方基督教世界其他地方都不为人所知——约翰在帕特莫斯岛的流放(9月27日)和流放归来(12月3日)。尽管Patmos在约翰的预言愿景和启示录的西方图像学中占有重要地位,但在西方Johannine礼拜仪式中,这一事件在很大程度上被忽视了。根据对所有现存服务书籍的详尽研究,我对《约翰的流放与归来》的办公室圣歌和读物进行了比较分析,考察了赫托根博斯神职人员是如何综合东西方对约翰在帕特莫斯的福音和预言活动的叙述的。一个以前被忽视的礼拜仪式印记为当地对五世纪叙利亚文本的接受提供了新的线索,该文本在拜占庭广泛传播,但在拉丁西方鲜为人知。来自这一来源的马廷人的解读与西方对帕特莫斯的预言相矛盾,因为他们将这个岛屿想象成约翰传教和写作福音的场所,然而,这是赫托根博施独有的结论性责任,呼吁约翰既是传教士又是先知——这些特质融合在这些之前未经研究的圣歌的音乐形式和旋律装饰中。更广泛地说,这项案例研究表明,办公室礼拜仪式可能会将不同的圣徒故事混为一谈。
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Preacher and prophet: intersecting voices of St John the Evangelist in late medieval ‘s-Hertogenbosch
Abstract The church of Sint-Jan in the town of ‘s-Hertogenbosch, on the northern frontier of the medieval diocese of Liège, cultivated unique local devotions to the widely venerated apostle St John the Evangelist. Most notable are five annual feasts, two of which are unknown elsewhere in Western Christendom – John's Exile on the Island of Patmos (27 September) and Return from Exile (3 December). Although Patmos figured prominently in the Western iconography of John's prophetic vision and writing of the Apocalypse, this event was largely overlooked in the Western Johannine liturgy. Drawing from an exhaustive study of all extant service books, my comparative analysis of the office chants and readings for John's Exile and Return examines how the ‘s-Hertogenbosch clergy synthesised Eastern and Western narratives of John's evangelical and prophetic activities on Patmos. A previously ignored liturgical imprint sheds new light on local reception of a fifth-century text of Syrian origin – the Acts of John by Prochorus – widely disseminated in Byzantium but little known in the Latin West. The Matins readings from this source contradict the Western prophetic association of Patmos by imagining this island as the locus for John's preaching and writing of the Gospel, yet the concluding versified responsories, unique to ‘s-Hertogenbosch, call on John as both a preacher and a prophet – attributes that merge in the musical form and melodic embellishment of these previously unstudied chants. More broadly, this case study demonstrates how the office liturgy might conflate different hagiographic narratives.
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来源期刊
CiteScore
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发文量
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期刊介绍: Plainsong & Medieval Music is published twice a year in association with the Plainsong and Medieval Music Society and Cantus Planus, study group of the International Musicological Society. It covers the entire spectrum of medieval music: Eastern and Western chant, secular lyric, music theory, palaeography, performance practice, and medieval polyphony, both sacred and secular, as well as the history of musical institutions. The chronological scope of the journal extends from late antiquity to the early Renaissance and to the present day in the case of chant. In addition to book reviews in each issue, a comprehensive bibliography of chant research and a discography of recent and re-issued plainchant recordings appear annually.
期刊最新文献
Ornamental melismas in Aquitanian introits PMM volume 32 issue 1 Cover and Back matter Preacher and prophet: intersecting voices of St John the Evangelist in late medieval ‘s-Hertogenbosch Commemorating the Virgin Mary at Barking Abbey: Cambridge, University Library, Dd.12.56 PMM volume 32 issue 1 Cover and Front matter
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