通过可杀的女性来理论化死亡男性:谋杀研究2和第15条

Q1 Arts and Humanities Media Watch Pub Date : 2023-07-25 DOI:10.1177/09760911231184335
Ankita Rathour
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引用次数: 0

摘要

本文通过两部印地语电影《谋杀2》(2011年)和《第15条》(2019年)研究了可杀死女性尸体的构造,并根据暴力的主权精神理论化了一名男性谋杀代理人,这反过来又揭示了处于危机中的印度主权男子气概。主权思想和自治理想的众多浪漫故事之一是构建想象中的对手,他们的暴力处决符合主权目的。这篇文章扩展了主权的修辞,将男性暴力纳入对所谓敌人——死去女孩的研究。如果主权意味着杀人或放生的权力,那么通过性别暴力,这一定义在这些电影中以什么方式表现出来?这篇文章扩展了可杀性的排他性原则——谋杀调查的保密性、草率的火化/埋葬,以及父权制和种姓主义的公共话语,这些话语完全是为了让印度男性对受害者的主权暴力令人怀疑。可杀死的女性成为种姓、父权制和民族意识形态结合的有力场所,使印度男性主权能够行使其杀戮权力。然而,这名君主/种姓主义的杀人男性,在文章中被认定为亡灵,作为回报,是可以被杀死的。男性杀人的权力表现为自杀式的殉难,因为国家的杀人权最终保留了对暴力的垄断。
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Theorising Necromale Through Killable Female: A Study of Murder 2 and Article 15
This essay studies the construction of killable female bodies via two Hindi films: Murder 2 (2011) and Article 15 (2019) and theorises a necromale—male murdering agent following a violent sovereign ethos, which, in turn, illuminates sovereign Indian masculinity in crisis. One of the many romances of the idea of sovereignty and ideals of self-rule is the construction of imaginary adversaries whose violent execution serves the sovereign purpose. This essay extends the rhetoric of sovereignty to include male violence in the study of alleged enemies—dead girls. If sovereignty means power to kill or let live, then in what ways does that definition play out in these films through gender violence? The essay expands on the exclusionary principles of killability—secrecy around murder investigations, hasty cremation/burial, and patriarchal and casteist public discourses that serve exclusively to make the male Indian sovereign violence against the victims doubtable. The killable females became the potent ground where caste, patriarchal, and national ideologies combine, enabling the Indian male sovereignty to deploy its power to kill. However, this sovereign/casteist murderous male, whom the essay establishes as a necromale, is killable in return. The male power to kill emerges as a suicidal martyrdom because the state’s right to kill ultimately reserves the monopoly on violence.
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来源期刊
Media Watch
Media Watch Arts and Humanities-Literature and Literary Theory
自引率
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发文量
19
期刊介绍: Journal of Media Watch is a double blind peer-reviewed tri-annual journal published from India. It is the only journal in the discipline from Asia and India listed in many leading indexing platforms. The journal keeps high quality peer evaluation and academic standards in all levels of its publication. Journal of Media Watch reflects empirical and fundamental research, theoretical articulations, alternative critical thinking, diverse knowledge spectrum, cognizant technologies, scientific postulates, alternative social synergies, exploratory documentations, visual enquiries, narrative argumentations, innovative interventions, and minority inclusiveness in its content and selection. The journal aims at publishing and documenting research publication in the field of communication and media studies that covers a wide range of topics and sub-fields like print media, television, radio, film, public relations, advertising, journalism and social media and the cultural impact and activation of these media in the society. It aims at providing a platform for the scholars to present their research to an international academic community with wide access and reach. Published topics in Media Watch enjoy very high impact and major citation. The journal is supported by strong international editorial advisory support from leading academicians in the world.
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