埃及的分散遗产:通过漫画艺术多向讲述故事

IF 1.6 2区 历史学 Q1 ANTHROPOLOGY Journal of Social Archaeology Pub Date : 2021-02-01 DOI:10.1177/1469605321992929
Heba Abd el-Gawad, Alice Stevenson
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引用次数: 8

摘要

本文回应了解决埃及考古藏品殖民历史的需要,并找到新的方法,让埃及观众能够在这一过程中承担更大的责任。“埃及分散的遗产”项目提供了一种参与模式,通过这种模式,外国博物馆藏品成为埃及人的灵感来源,他们可以用与自己文化相关的习语和传统故事来表达自己对将遗产转移到国外的感受。讨论了一系列面对有争议的遗产问题的网络漫画,包括展示木乃伊、优生学、抢劫和破坏。有人认为,这种方法不仅更适合埃及社区,而且为英国和埃及基层对遗产实践的批评提供了发展空间。博物馆有责任接受这些批评,不仅要管理文物,还要管理它们在历史和当代社会中建立的关系。
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Egypt’s dispersed heritage: Multi-directional storytelling through comic art
This paper responds to a need to address the colonial history of collections of Egyptian archaeology and to find new ways in which Egyptian audiences can assume greater agency in such a process. The ‘Egypt’s Dispersed Heritage’ project presents a model of engagement whereby foreign museum collections become the inspiration for Egyptians to express their own feelings about the removal of their heritage abroad using idioms and traditional storytelling of cultural relevance to them. A series of online comics confronting contentious heritage issues, including the display of mummified human remains, eugenics, looting and destruction, is discussed. It is argued that this approach is not only more relatable for Egyptian communities, but moreover provides space for the development of grass-roots critique of heritage practices, both in the UK and in Egypt. Museums have a responsibility to take on board these critiques, curating not just objects but relationships forged amongst them in historical and contemporary society.
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来源期刊
CiteScore
3.10
自引率
8.30%
发文量
9
期刊介绍: The Journal of Social Archaeology is a fully peer reviewed international journal that promotes interdisciplinary research focused on social approaches in archaeology, opening up new debates and areas of exploration. It engages with and contributes to theoretical developments from other related disciplines such as feminism, queer theory, postcolonialism, social geography, literary theory, politics, anthropology, cognitive studies and behavioural science. It is explicitly global in outlook with temporal parameters from prehistory to recent periods. As well as promoting innovative social interpretations of the past, it also encourages an exploration of contemporary politics and heritage issues.
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