{"title":"抵制艺术世界的潮流","authors":"Molly Sechrest","doi":"10.5325/jaynrandstud.20.2.0427","DOIUrl":null,"url":null,"abstract":"abstract:The author reviews Bucking the Artworld Tide: Reflections on Art, Pseudo Art, Art Education & Theory, a collection of essays on the visual arts by Michelle Marder Kamhi. In her view, Kamhi presents a compelling case against the modernist and postmodernist inventions that have come to dominate the artworld since the early twentieth century—from abstract work to \"conceptual art.\" Citing countless paintings, sculptures, and works of purported art, these essays (informed by the principles of Rand's aesthetic theory) offer sparkling nuggets of insight into what art is, what it is not, and why.","PeriodicalId":35149,"journal":{"name":"The Journal of Ayn Rand Studies","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Bucking the Artworld Tide\",\"authors\":\"Molly Sechrest\",\"doi\":\"10.5325/jaynrandstud.20.2.0427\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:The author reviews Bucking the Artworld Tide: Reflections on Art, Pseudo Art, Art Education & Theory, a collection of essays on the visual arts by Michelle Marder Kamhi. In her view, Kamhi presents a compelling case against the modernist and postmodernist inventions that have come to dominate the artworld since the early twentieth century—from abstract work to \\\"conceptual art.\\\" Citing countless paintings, sculptures, and works of purported art, these essays (informed by the principles of Rand's aesthetic theory) offer sparkling nuggets of insight into what art is, what it is not, and why.\",\"PeriodicalId\":35149,\"journal\":{\"name\":\"The Journal of Ayn Rand Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of Ayn Rand Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5325/jaynrandstud.20.2.0427\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Ayn Rand Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5325/jaynrandstud.20.2.0427","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
abstract:The author reviews Bucking the Artworld Tide: Reflections on Art, Pseudo Art, Art Education & Theory, a collection of essays on the visual arts by Michelle Marder Kamhi. In her view, Kamhi presents a compelling case against the modernist and postmodernist inventions that have come to dominate the artworld since the early twentieth century—from abstract work to "conceptual art." Citing countless paintings, sculptures, and works of purported art, these essays (informed by the principles of Rand's aesthetic theory) offer sparkling nuggets of insight into what art is, what it is not, and why.
期刊介绍：
The Journal of Ayn Rand Studies Foundation has entered into an electronic licensing relationship with EBSCO Publishing, the world"s most prolific aggregator of full-text journals, magazines, and other sources. The full text of The Journal of Ayn Rand Studies can be found on EBSCO Publishing"s databases. A nonpartisan journal devoted to the study of Ayn Rand and her times. The journal is not aligned with any advocacy group, institute, or person. It welcomes papers from every discipline and from a variety of interpretive and critical perspectives. It aims to foster scholarly dialogue through a respectful exchange of ideas. The journal is published semi-annually, in the fall and the spring.
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