{"title":"Quyền胡志明与越南爵士乐的诞生","authors":"Stan B. H. Tan-Tangbau, Quyền Văn Minh","doi":"10.1080/17494060.2019.1616871","DOIUrl":null,"url":null,"abstract":"ABSTRACT Written in the form of a collaborative narrative, this paper is an account of the live concert at the Hà Nội Opera House on 12 April 1994, an important chapter in the story of Quyền Văn Minh and jazz in modern day Vietnam. Quyền Văn Minh had earlier brought jazz to the public sphere in socialist Vietnam with two groundbreaking concerts in 1988 and 1989. For this solo concert in 1994, Quyền Văn Minh premiered three of his original jazz compositions. Each tune was inspired by the sounds of different ethnic folk music Minh heard during his travels as a musical cadre in socialist Vietnam during the 1970s and 1980s. Minh wrote original melodies and made room for improvization in his compositions to tell the stories he had in mind with his music. With this performance, Minh stamped his mark as the pioneer bona fide jazz musician in the early Đổi Mới years of Vietnam. More significantly, a new genre of sounds in the form of Vietnamese jazz was born that evening. This paper is part of a larger book project on the life story of Quyền Văn Minh and the story of jazz in Vietnam under the socialist state.","PeriodicalId":39826,"journal":{"name":"Jazz Perspectives","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2018-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17494060.2019.1616871","citationCount":"0","resultStr":"{\"title\":\"Quyền Văn Minh and the Birth of Vietnamese Jazz\",\"authors\":\"Stan B. H. Tan-Tangbau, Quyền Văn Minh\",\"doi\":\"10.1080/17494060.2019.1616871\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Written in the form of a collaborative narrative, this paper is an account of the live concert at the Hà Nội Opera House on 12 April 1994, an important chapter in the story of Quyền Văn Minh and jazz in modern day Vietnam. Quyền Văn Minh had earlier brought jazz to the public sphere in socialist Vietnam with two groundbreaking concerts in 1988 and 1989. For this solo concert in 1994, Quyền Văn Minh premiered three of his original jazz compositions. Each tune was inspired by the sounds of different ethnic folk music Minh heard during his travels as a musical cadre in socialist Vietnam during the 1970s and 1980s. Minh wrote original melodies and made room for improvization in his compositions to tell the stories he had in mind with his music. With this performance, Minh stamped his mark as the pioneer bona fide jazz musician in the early Đổi Mới years of Vietnam. More significantly, a new genre of sounds in the form of Vietnamese jazz was born that evening. This paper is part of a larger book project on the life story of Quyền Văn Minh and the story of jazz in Vietnam under the socialist state.\",\"PeriodicalId\":39826,\"journal\":{\"name\":\"Jazz Perspectives\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17494060.2019.1616871\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jazz Perspectives\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17494060.2019.1616871\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jazz Perspectives","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17494060.2019.1616871","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文以合作叙事的形式,记录了1994年4月12日在胡志明Nội歌剧院举行的现场音乐会,这是Quyền胡志明和现代越南爵士乐的重要篇章。Quyền varchin Minh在1988年和1989年举办了两场开创性的音乐会,将爵士乐带入了社会主义越南的公共领域。在1994年的独奏会上,Quyền胡志明首演了他的三首原创爵士乐作品。每首曲子的灵感都来自于Minh在20世纪70年代和80年代作为一名音乐干部在社会主义越南旅行时听到的不同民族民间音乐的声音。他写了原创的旋律,并在他的作品中留下了即兴创作的空间,以讲述他在音乐中想到的故事。通过这次演出,Minh在越南早期Đổi Mới年成为真正的爵士音乐家的先驱。更重要的是,当晚一种新的音乐流派——越南爵士乐诞生了。这篇文章是一个更大的书籍项目的一部分,该项目是关于Quyền v Minh的生活故事和社会主义国家下越南爵士乐的故事。
ABSTRACT Written in the form of a collaborative narrative, this paper is an account of the live concert at the Hà Nội Opera House on 12 April 1994, an important chapter in the story of Quyền Văn Minh and jazz in modern day Vietnam. Quyền Văn Minh had earlier brought jazz to the public sphere in socialist Vietnam with two groundbreaking concerts in 1988 and 1989. For this solo concert in 1994, Quyền Văn Minh premiered three of his original jazz compositions. Each tune was inspired by the sounds of different ethnic folk music Minh heard during his travels as a musical cadre in socialist Vietnam during the 1970s and 1980s. Minh wrote original melodies and made room for improvization in his compositions to tell the stories he had in mind with his music. With this performance, Minh stamped his mark as the pioneer bona fide jazz musician in the early Đổi Mới years of Vietnam. More significantly, a new genre of sounds in the form of Vietnamese jazz was born that evening. This paper is part of a larger book project on the life story of Quyền Văn Minh and the story of jazz in Vietnam under the socialist state.