{"title":"“必要的谦卑”:中世纪晚期赦免信中的犯罪叙述和修辞策略","authors":"Quentin Verreycken","doi":"10.16995/olh.389","DOIUrl":null,"url":null,"abstract":"The charters of pardon or ‘remission letters’ granted by the king of France and the duke of Burgundy in the late Middle Ages have often been interpreted as a valuable source material to access to the lives, memories, and even the ‘voices’ of the ordinary people who did not produce any other writing. The preamble of each letter was indeed a copy of the supplication submitted by the future pardon beneficiary, in which he narrated his crime and begged for the sovereign’s mercy. However, as with many other documents preserved in court and chancery records, remission letters engage historians with a series of methodological questions due to the nature of the documents and the context in which they were produced. Because they hoped to be granted the monarch’s mercy, petitioners used a series of legal and rhetorical techniques to describe themselves and elaborate their narrations, following the advice of the clerks and lawyers who helped them to compose their petitions. This article explores some of these strategies used by French and Burgundian pardon beneficiaries and compares them to those found in English petitions for pardon. It argues that rather than being considered as an obstacle to accessing to the truth behind the sources, these strategies should be analysed as the testimony of the legal and administrative practices of the time.","PeriodicalId":43026,"journal":{"name":"Open Library of Humanities","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2019-09-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"‘En nous humblement requerant’: Crime Narrations and Rhetorical Strategies in Late Medieval Pardon Letters\",\"authors\":\"Quentin Verreycken\",\"doi\":\"10.16995/olh.389\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The charters of pardon or ‘remission letters’ granted by the king of France and the duke of Burgundy in the late Middle Ages have often been interpreted as a valuable source material to access to the lives, memories, and even the ‘voices’ of the ordinary people who did not produce any other writing. The preamble of each letter was indeed a copy of the supplication submitted by the future pardon beneficiary, in which he narrated his crime and begged for the sovereign’s mercy. However, as with many other documents preserved in court and chancery records, remission letters engage historians with a series of methodological questions due to the nature of the documents and the context in which they were produced. Because they hoped to be granted the monarch’s mercy, petitioners used a series of legal and rhetorical techniques to describe themselves and elaborate their narrations, following the advice of the clerks and lawyers who helped them to compose their petitions. This article explores some of these strategies used by French and Burgundian pardon beneficiaries and compares them to those found in English petitions for pardon. It argues that rather than being considered as an obstacle to accessing to the truth behind the sources, these strategies should be analysed as the testimony of the legal and administrative practices of the time.\",\"PeriodicalId\":43026,\"journal\":{\"name\":\"Open Library of Humanities\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2019-09-19\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Open Library of Humanities\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.16995/olh.389\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Open Library of Humanities","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.16995/olh.389","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
‘En nous humblement requerant’: Crime Narrations and Rhetorical Strategies in Late Medieval Pardon Letters
The charters of pardon or ‘remission letters’ granted by the king of France and the duke of Burgundy in the late Middle Ages have often been interpreted as a valuable source material to access to the lives, memories, and even the ‘voices’ of the ordinary people who did not produce any other writing. The preamble of each letter was indeed a copy of the supplication submitted by the future pardon beneficiary, in which he narrated his crime and begged for the sovereign’s mercy. However, as with many other documents preserved in court and chancery records, remission letters engage historians with a series of methodological questions due to the nature of the documents and the context in which they were produced. Because they hoped to be granted the monarch’s mercy, petitioners used a series of legal and rhetorical techniques to describe themselves and elaborate their narrations, following the advice of the clerks and lawyers who helped them to compose their petitions. This article explores some of these strategies used by French and Burgundian pardon beneficiaries and compares them to those found in English petitions for pardon. It argues that rather than being considered as an obstacle to accessing to the truth behind the sources, these strategies should be analysed as the testimony of the legal and administrative practices of the time.
期刊介绍:
The Open Library of Humanities is a peer-reviewed, open-access journal open to submissions from researchers working in any humanities'' discipline in any language. The journal is funded by an international library consortium and has no charges to authors or readers. The Open Library of Humanities is digitally preserved in the CLOCKSS archive.