新西兰故事片产业的三层结构

IF 0.4 0 FILM, RADIO, TELEVISION Studies in Australasian Cinema Pub Date : 2017-05-04 DOI:10.1080/17503175.2017.1385135
Natàlia Ferrer-Roca
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引用次数: 3

摘要

本文旨在将三层故事片结构应用于当代新西兰电影制作语境,以澄清21世纪新西兰不同类型电影制作之间存在的区别。它们受制于和产生于有时非常不同的体制和筹资安排,因此带来不同的期望。本文采用制度政治经济学的视角,组织如下。首先,它概述了故事片工业如何被各种重叠的(三)生产层所分割,这可能在好莱坞和世界各国的小型电影工业之间有所不同。其次,本文将三层结构运用到当代新西兰电影制作的语境中。第三,本文通过承认每一个故事片层的独特性,并强调它们给新西兰电影产业带来的好处,来解释每一个故事片层的特点。最后,报告得出结论,在像新西兰这样一个讲英语的小国,所有三层故事片制作对于产生和维持故事片产业至关重要。
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Three-tier structure of the New Zealand feature film industry
ABSTRACT This paper aims to apply the three-tier feature film structure to the contemporary New Zealand filmmaking context in order to add clarity to existing distinctions between the different types of film production occurring in Twenty-first Century New Zealand. Those are subject to, and emerge from, sometimes very different institutional and financing arrangements, and thus entail different expectations. The paper takes an institutional political economy perspective and is organised as follows. First, it provides an overview of how the feature film industry can be portrayed as segmented by various overlapping (three) tiers of production, which may differ between Hollywood and smaller film industries in countries around the world. Second, the paper applies the three-tier structure within the contemporary New Zealand filmmaking context. Third, the paper explains the characteristics of every feature film tier by acknowledging their distinctiveness and highlighting the benefits they deliver to the New Zealand filmmaking industry. Finally, it concludes that all three-tier of feature film production have been crucial for generating and sustaining a feature film industry in a small English-speaking country such as New Zealand.
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来源期刊
Studies in Australasian Cinema
Studies in Australasian Cinema FILM, RADIO, TELEVISION-
CiteScore
0.50
自引率
0.00%
发文量
7
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