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摘要
本文分析了Autran Dourado的小说Lucas Procópio(1985)和Ópera dos mortos(1967)中的黑人角色ad、Joana和Quiquina。虽然他们都是黑人，但他们之间存在差异。第一个是混血儿，她用自己的自由换取性服务，被卢卡斯上校Procópio——Isaltina的丈夫释放了，而其他人则被描绘成为sinhisaltina和老板Rosalina生活的奴隶妇女。对于这些人物所占据的社会空间和作品分析中所描绘的历史时刻，本文以Gilberto Freyre(1933)和Roberto Reis(1987)为基础，
: This paper analyzes Adélia, Joana, and Quiquina, black characters in the Lucas Procópio (1985) and Ópera dos mortos (1967) novels, by Autran Dourado. Although they are all black, there is a disparity between them. While the first is a mulatto who exchanges her freedom for sexual favors, freed by colonel Lucas Procópio – Isaltina’s husband – the others are portrayed as enslaved women living for sinhá Isaltina and boss Rosalina. For the social space occupied by these characters and the historical moment portrayed in the work analysis, this article is based on Gilberto Freyre (1933) and Roberto Reis (1987),
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