国家博物馆的欧洲化:欧洲诗歌媒介与情境知识

IF 0.4 Q3 CULTURAL STUDIES Journal of Aesthetics & Culture Pub Date : 2019-11-22 DOI:10.1080/20004214.2019.1686808
Sarah Czerney
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引用次数: 0

摘要

本文在媒介理论和女性主义认识论的背景下,探讨了欧洲各国国家博物馆欧洲化的现状。以格但斯克的欧洲团结中心、柏林的德国历史博物馆、马赛的欧洲文明博物馆和马赛的欧洲文明博物馆为例,它提出了两种方法来研究博物馆的旅行动态和地理位置。首先,本文运用我所谓的“欧洲诗性媒体”的概念,展示了“欧洲”作为一种旅行记忆是如何被媒体塑造并在媒体中塑造的。其次,我认为记忆和记忆研究者的定位都不是有害的,而是产生“定位知识”。因此,结合媒介敏感性和立场反身性,本文提出了考虑记忆和记忆研究的旅行和定位的新方法。
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The Europeanization of national museums: Europoeic media and situated knowledges
ABSTRACT This essay discusses the current Europeanization of national museums in different European countries and considers it against the background of media theories and feminist epistemologies. Taking the example of the European Solidarity Centre Gdansk, the Deutsches Historisches Museum Berlin and the Musée des civilisations de l’Europe et de la Méditerranée Marseille, it suggests two approaches to the dynamics of travel and locatedness in the museum. Firstly, using the concept of what I call “Europoeic media” this essay shows how “Europe” as a travelling memory is shaped by and in media. Secondly, I argue that the locatedness both of memories and the memory researcher are not detrimental but instead produce “situated knowledges”. Thus, in combining media-sensitivity and standpoint-reflexivity, the paper proposes new ways of taking into account the travels and locatedness of both memories and memory research.
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来源期刊
CiteScore
0.80
自引率
33.30%
发文量
15
审稿时长
14 weeks
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