Śrīharṣa Miśra对可信度的批判

Q2 Arts and Humanities Kervan Pub Date : 2018-11-19 DOI:10.13135/1825-263X/2251
Sudipta Munsi
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引用次数: 0

摘要

本文旨在讨论对希·阿卜杜拉克中发现的经典(prācīna)尼雅可信度理论(āptatva)的批判ṣ一ṇ阿卡族ṇḍ从Kha第一章的ana部分ṇḍ阿纳卡ṇḍ伟大的12世纪Adwaita Vedāntin的akhādyaṣa Miśra。希里哈尔ṣa对尼雅的定义进行了全面的批判,从较小的细节到主要问题,从而表明了这一点。āptatva不能成为判断认知有效性的可靠标准。即使是这样,也找不到这样的演讲者。作者进一步扩展了希里哈尔ṣa的批评还指出。即使能找到这样的演讲者,她所传递的信息也可能被听众有意或无意地扭曲。然后,他最后指出了希里哈尔可能的进一步应用ṣa对证词作为知识工具的怀疑攻击。
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Śrīharṣa Miśra’s Critique of Trustworthiness
This paper aims at discussing the critique of the classical ( prācīna ) Nyāya theory of trustworthiness ( āptatva ) as found in the Śabdalak ṣaṇakhaṇḍana section of the first chapter from the Kha ṇḍanakhaṇḍakhādya of the great 12 th century Advaita Vedāntin, Śrīharṣa Miśra. Śrīharṣa submitted the Nyāya definition to a full-fledged critique ranging from smaller details to main issues, thus showing that 1. āptatva cannot be a reliable criterion for deciding the validity of a  cognition, 2. even if it were so, no such speaker could ever be found. The author further extends Śrīharṣa’s criticism by noting also that 3. even if such a speaker could be found, the information she delivered could consciously or inadvertently be distorted by the listener. He then concludes by noting further possible applications of Śrīharṣa’s skeptical attacks to testimony as an instrument of knowledge.
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来源期刊
Kervan
Kervan Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
0
审稿时长
18 weeks
期刊介绍: The journal has three main aims. First of all, it aims at encouraging interdisciplinary research on Asia and Africa, maintaining high research standards. Second, by providing a global forum for Asian and African scholars, it promotes dialogue between the global academic community and civil society, emphasizing patterns and tendencies that go beyond national borders and are globally relevant. The third aim for a specialized academic journal is to widen the opportunities for publishing worthy scholarly studies, to stimulate debate, to create an ideal agora where ideas and research results can be compared and contrasted. Another challenge is to combine a scientific approach and the interest for cultural debate, artistic production, biographic narrative, etcetera. This journal wants to be original (even hybrid) also in its structure, where academic rigor should not hinder access to the vitality of experience and of artistic and cultural production.
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