{"title":"《阿娜·卡罗》、《英勇》、《第十二夜》中的变装与欲望与复仇技术","authors":"S. Wofford","doi":"10.1086/723006","DOIUrl":null,"url":null,"abstract":"aissance Drama, volume 50, number 2, fall 2022. 022 Northwestern University. All rights reserved. Published by The University of Chicago Press. s://doi.org/10.1086/723006 1. In this essay, I refer to the English translation ofValor, agravio ymujer by Barbara Fuchs and the ersifying the Classics project at UCLA; see http://diversifyingtheclassics.humanities.ucla.edu r-translations/the-courage-to-right/; and http://diversifyingtheclassics.humanities.ucla.edu/wp ntent/uploads/2020/08/The-Courage-to-Right-a-Womans-Wrongs-8–26-for-website.pdf. English","PeriodicalId":53676,"journal":{"name":"Renaissance Drama","volume":"50 1","pages":"245 - 262"},"PeriodicalIF":0.0000,"publicationDate":"2022-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Cross-Dressing and Technologies of Desire and Revenge in Ana Caro, Valor, agravio y mujer with a Glance at Twelfth Night\",\"authors\":\"S. Wofford\",\"doi\":\"10.1086/723006\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"aissance Drama, volume 50, number 2, fall 2022. 022 Northwestern University. All rights reserved. Published by The University of Chicago Press. s://doi.org/10.1086/723006 1. In this essay, I refer to the English translation ofValor, agravio ymujer by Barbara Fuchs and the ersifying the Classics project at UCLA; see http://diversifyingtheclassics.humanities.ucla.edu r-translations/the-courage-to-right/; and http://diversifyingtheclassics.humanities.ucla.edu/wp ntent/uploads/2020/08/The-Courage-to-Right-a-Womans-Wrongs-8–26-for-website.pdf. English\",\"PeriodicalId\":53676,\"journal\":{\"name\":\"Renaissance Drama\",\"volume\":\"50 1\",\"pages\":\"245 - 262\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-09-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Renaissance Drama\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/723006\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Renaissance Drama","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/723006","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Arts and Humanities","Score":null,"Total":0}
Cross-Dressing and Technologies of Desire and Revenge in Ana Caro, Valor, agravio y mujer with a Glance at Twelfth Night
aissance Drama, volume 50, number 2, fall 2022. 022 Northwestern University. All rights reserved. Published by The University of Chicago Press. s://doi.org/10.1086/723006 1. In this essay, I refer to the English translation ofValor, agravio ymujer by Barbara Fuchs and the ersifying the Classics project at UCLA; see http://diversifyingtheclassics.humanities.ucla.edu r-translations/the-courage-to-right/; and http://diversifyingtheclassics.humanities.ucla.edu/wp ntent/uploads/2020/08/The-Courage-to-Right-a-Womans-Wrongs-8–26-for-website.pdf. English
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