“这是非法的,但并不是真正的非法”:斯里兰卡的“鸡奸法”、模棱两可的政治,以及《爱你的人》中酷儿的性公民身份

IF 0.3 0 ASIAN STUDIES South Asian Popular Culture Pub Date : 2023-05-04 DOI:10.1080/14746689.2023.2212256
Shermal Wijewardene
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引用次数: 0

摘要

摘要:本文探讨了一部斯里兰卡英语戏剧对斯里兰卡酷儿男性性别公民身份不平等的表现,重点关注其对“鸡奸”禁令的模糊化。我研究了《如此爱你的人》(2019),在这篇文章中,酷儿男性线下和线上亲密关系的非法性被矛盾地描述为既肯定又开放的解释。文本分析的背景是斯里兰卡政府一贯模棱两可的历史,即该国的“鸡奸法”将谁或什么定为犯罪,特别是在面临国际人权压力的情况下。令人惊讶的是,在大多数当前的学术研究和行动主义中,国家的模棱两可被忽视或视为一种策略而不予理会:趋势是从强硬的国家立场和明确的刑事定罪的角度来思考。该剧为应对模棱两可所做的工作奠定了基础,例如,在斯里兰卡,对同性亲密行为的暗中监管,以及对同性恋公民身份的有条件地位的标记。我恳请大家注意这部剧的交叉手法,特别是酷儿的特权/剥夺如何在不确定的法律情况下调解权力和剥夺权力的等级。这篇文章主张超越战略回避的概念,承认在非犯罪化问题上模棱两可的国家政治。
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“It’s illegal but it’s not, like, really illegal”: Sri Lanka’s ‘sodomy laws’, the politics of equivocation, and queer men’s sexual citizenship in The One Who Loves You So
ABSTRACT This paper explores the representation of queer men’s unequal sexual citizenship in Sri Lanka in a Sri Lankan Anglophone play, focusing on its problematisation of an ambiguous ‘sodomy’ prohibition. I examine The One Who Loves You So (2019), a text in which the illegality of queer men’s offline and online intimacies is paradoxically depicted as both affirmed and open to interpretation. The textual analysis is contextualised by the Sri Lankan state’s consistent history of equivocating on who or what the country’s ‘sodomy laws’ criminalise, particularly when facing international human rights pressure. The state’s equivocation is surprisingly overlooked or dismissed as strategy in most current scholarship and activism: the trend is to think in terms of a hard state stance and a categorical criminalisation. The play lays the ground to grapple with the work done by equivocation, for instance in insidiously regulating same-sex intimacy and marking the conditional status of queer sexual citizenship in Sri Lanka. I plead for attention to the play’s intersectional approach, in particular how queer privilege/disprivilege mediates gradations of empowerment and disempowerment in an uncertain legal situation. The essay argues for moving beyond the idea of strategic evasiveness to recognising a state politics of equivocation on decriminalisation.
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来源期刊
South Asian Popular Culture
South Asian Popular Culture Arts and Humanities-Visual Arts and Performing Arts
CiteScore
1.00
自引率
0.00%
发文量
29
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