{"title":"Cherkaoui Larbi Sidi:Lise Uytterhoeven的戏剧和环境奇观。2019.伦敦：帕尔格雷夫·麦克米伦。271页，16幅插图。£64.99 hardcover.ISBN:9783030278151。44.99英镑的论文。34.99英镑电子书。ISBN:9783030278168。","authors":"Heather Harrington","doi":"10.1017/s0149767721000395","DOIUrl":null,"url":null,"abstract":"more about the experiences and needs of their constituencies. As I read, I found myself substituting “dance artists” for “PhD students and adjuncts,” drawing parallels between the dance field and the conditions of academic life. Her discussion of dance artists’ willingness to selfexploit provoked reflection about my own experiences and motivations: Why exactly did I agree to write this (unpaid) review? Why have I been teaching as an adjunct for five years? In what ways do I neglect forms of collective struggle and cave to the gravitational pull of individualist careerism? Van Assche’s exploration of precarity can help us attune to the ways that selfexploitation and smarm show up within concert dance, academia, and our lives more broadly.","PeriodicalId":44926,"journal":{"name":"DANCE RESEARCH JOURNAL","volume":"53 1","pages":"92 - 94"},"PeriodicalIF":0.4000,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"SIDI LARBI CHERKAOUI: DRAMATURGY AND ENGAGED SPECTATORSHIP by Lise Uytterhoeven. 2019. London: Palgrave Macmillan. 271 pp., 16 illustrations. £64.99 hardcover. ISBN: 9783030278151. £44.99 paper. £34.99 e-book. ISBN: 9783030278168.\",\"authors\":\"Heather Harrington\",\"doi\":\"10.1017/s0149767721000395\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"more about the experiences and needs of their constituencies. As I read, I found myself substituting “dance artists” for “PhD students and adjuncts,” drawing parallels between the dance field and the conditions of academic life. Her discussion of dance artists’ willingness to selfexploit provoked reflection about my own experiences and motivations: Why exactly did I agree to write this (unpaid) review? Why have I been teaching as an adjunct for five years? In what ways do I neglect forms of collective struggle and cave to the gravitational pull of individualist careerism? Van Assche’s exploration of precarity can help us attune to the ways that selfexploitation and smarm show up within concert dance, academia, and our lives more broadly.\",\"PeriodicalId\":44926,\"journal\":{\"name\":\"DANCE RESEARCH JOURNAL\",\"volume\":\"53 1\",\"pages\":\"92 - 94\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DANCE RESEARCH JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s0149767721000395\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE RESEARCH JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s0149767721000395","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
SIDI LARBI CHERKAOUI: DRAMATURGY AND ENGAGED SPECTATORSHIP by Lise Uytterhoeven. 2019. London: Palgrave Macmillan. 271 pp., 16 illustrations. £64.99 hardcover. ISBN: 9783030278151. £44.99 paper. £34.99 e-book. ISBN: 9783030278168.
more about the experiences and needs of their constituencies. As I read, I found myself substituting “dance artists” for “PhD students and adjuncts,” drawing parallels between the dance field and the conditions of academic life. Her discussion of dance artists’ willingness to selfexploit provoked reflection about my own experiences and motivations: Why exactly did I agree to write this (unpaid) review? Why have I been teaching as an adjunct for five years? In what ways do I neglect forms of collective struggle and cave to the gravitational pull of individualist careerism? Van Assche’s exploration of precarity can help us attune to the ways that selfexploitation and smarm show up within concert dance, academia, and our lives more broadly.
期刊介绍：
Dance Research Journal is the longest running, peer reviewed journal in its field, and has become one of the foremost international outlets for dance research scholarship. The journal carries scholarly articles, book reviews, and a list of books and journals received.
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